Homesex movieAkai hashi no shita no nurui mizu (2001) Movie Sex & Nudity

Akai hashi no shita no nurui mizu (2001) Movie Sex & Nudity

At the beginning a man and woman have sex. She is riding him.
A woman flashes to a man with a mirror and he comes running then they have sex. Thrusting and moaning is present.
A woman gives a man a blowjob but he says that he can’t do it. Then he hangs from the window his bare buttocks is shown.
At the end the couple have sex fully clothed near the beach.
The main theme is about a woman who when lusty or has sex some water comes out of her.
In one scene man’s butt is visible. Moaning can be heard in few sex scenes.


Translated by XX www.rabudo-ru.com


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When you can still look up, enjoy life

– Movie Lines

The significance of Imamura Changping in the history of Japanese films is not only that he touched the bottom line of human beings, but also that his films are full of sexual desire and naked display of human nature. What is more valuable is that he can examine human nature and respond to them from the perspective of human history. “Warm current under the red bridge” is a film describing the lust of middle-aged people with magical surrealism style in his later years. Here, warm current refers to the tide of fish reflux, which also coincides with the undercurrent of middle-aged people’s lust. What Imamura Changping said: the 21st century will also belong to women. In fact, human history is the history from womb to womb (eternal black hole). We come from the mother with tide and return to the dark world at the moment of impending.

In his twilight years, Imamura Changping has been thinking about sexual repression and social roles. The marginal role of Yisuo Guangsi in eel and the middle-aged unemployed Yang Jie he plays in this film are also vulnerable groups who can’t control their own destiny. Yang Jie, who was laid off and abandoned by his wife in warm current under the red bridge, can only choose a displaced life, He happened to know that a tramp had a secret of wealth in the Red Bridge on the peninsula. A golden Buddha handed down from generation to generation. The gap from white-collar workers to the unemployed made him instinctively eager for this opportunity to bring change to his turbulent days. Therefore, he embarked on the road of treasure hunting. It was the desire for a better life that made him stick to an uncertain road.

The director explores the meaning of life through a series of characterization. The film takes lust as the external symbol, but internally takes the return journey as the goal. The heart knot of tramps, the running of African marathon runners to leave their homes for their dreams, the dementia mother-in-law of sasuko who watches the life of love, the fish destined to return every year and all the people destined to return, All people on the way can’t escape the ultimate problem of food and sex.

Persistence is a way for people to avoid loneliness, confusion and lack of love. Persistence, as a spirit, embodies the meaning addition beyond instinct. Therefore, when Yangjie meets Keiko Sasaki on the red bridge, a turning point of inadvertently staring at fate appears. A person on the edge of society will seize such an opportunity when he can prove himself in desire, Therefore, the lost pendant has become a key to lust. In the world of Keiko Sasaki, he is more like a beneficiary. Her magical love liquid is like a flood breaking a dike, symbolizing the original and generous desire. As a conclusion of psychology, women’s “stealing addiction” is related to the satisfaction of sexual desire, which is a rebound after sexual repression, Sushi and sexuality are involved in oriental philosophy. Keiko Sasaki and Yangjie naturally become prisoners of instinct. This is an attempt to determine that sexual cooperation connects the heat of the heart. The love liquid appears in the river under the red bridge of life like a dream, and life flows long and endlessly.

Imamura Changping understands that life is short. Therefore, in the pleasure of sexual desire, we are more to complete our hope for the future. He stayed, not just for livelihood. A woman who makes her body moist, expanded and happy has the power to hold a heart.

Yangjie is willing to become a fisherman, a fisherman with a desire to go ashore. The mirror in the hands of Keiko Sasaki is a concern and reflects Yangjie’s needs. Life is not a statement, but a spark in her eyes.

When the wild end, life becomes simple and real, just like the desire all over the sky, and finally return to the watch of relatives. This watch is like a tramp’s thoughts about his mother-in-law. It is the driving force of life.

In the film, there are many happy scenes for two people. People who like Oriental erotic will not have such wild sex scenes. The director also spoke out the meaning of life freedom through the tramp’s mouth: it is to find a conclusion for his own imagination, a conclusion that makes him happy… Affected by Oriental thought, Imamura Changping, like Ozu, understands that life is just a passing cloud, and what is left after the loss of desire is the way home.

The rainbow has become a symbol of their new life. Life is always full of twists and turns, followed by plain companionship and the continuation of life.

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