An intense sensual scene is shown depicting the women’s breast several times and buttocks of the man an women with a glance of the women’s bottom few times (not detailed, covered by hair). Breasts are shown for quite a while.
A man rips a girls dress showing full frontal nudity of a women for a min.


Film review:Translated by www.rabudo-ru.com


Perhaps due to age and morale, the last works of the masters seem to be more peaceful and quiet. In 1996, antonioli, who is already in his eighties, found the German director wenmwendez who once made a slightly black but poetic film such as under the Berlin sky to cooperate with him to produce a similarly alienated and ethereal day on the cloud

The whole film is actually a story set, with the director played by John markovich connected: he is sometimes the character, sometimes the bystander In fact, his real role is Antonio himself Above the clouds, he stares coldly at the love and pain of the world, which constitutes his life: analyzing the conflict and struggle of people’s inner feelings through film In fact, it was at the end of the film that he expressed his heart through John markovich’s saying that “directing is a special job”, that is, standing high and looking far, such a person on the cloud will naturally see the unique perspective and lens we can’t detect, telling and performing a desire Suite of contemporary people

The first law of desire: desire exists only in its unsatisfied state Man has desire because he can’t get what he wants When it is really satisfied, desire disappears and is replaced by possession that is no longer pure At this time, the desire has shifted in order to maintain the hunger In the first story, a floating stranger and a female teacher fall in love at first sight. In a parallel shot, they pace and think back and forth in their own rooms of the hotel, tortured by desire The next day they lost touch The girl left quietly At this time, his love has been diluted, and the suffering of missing urges him to pursue his desire When he finally looked for it, he wandered; He realized that he might love the illusion deeply imprinted in his mind When he faced his lover naked, he hesitated to touch her. The distance between his skin seemed to have infinite repulsion Finally, he chose to escape and maintain his fragile desire with illusory love

If the restless character of desire makes people love and hate, someone will use and transform it to become a force outside their own process, stable and powerful, just as politicians do in the country Sophie Marceau plays a girl who killed her father. The pleasure of Freud complex takes her back to the crime scene, tells all this to John markovich, who is a stranger to her, and then goes to bed with him Physical entanglement brings moral anxiety Desire is used to wash away shame, satisfy self temporary redemption, and wash away thousands of years of original sin Reason shows its powerful instrumentality and how it tames a beast that has left countless marks in human history

However, no one will be willing to alienate themselves, not to mention that it is strong enough to control the individual mind In the third story, the married man, or the man whose desire was satisfied, fell in love with another girl From then on, he lived between his wife and lover, weaving lies and interpreting familiar stories Sexual desire occupies the naked expression of desire Their feelings are replaced by sex, which can be completely reproduced: sex has become the dialogue itself, and even the dispute ends with sex Possession drove him We can see that the freshness brought by the initial satisfaction of desire is only temporary; After disillusionment, it rises to the intersection of rationality and wildness, and is ethically reflected in the middle-aged emotional crisis The power of the mind transformed into reality is terrible and amazing Finally his wife left Interestingly, she met Jean Reno in another place, who was in sympathy with her own illness, which verified the universality of this ethical crisis and strange emotions, as well as the destructive power hidden behind desire, which can almost destroy all existing values

When desire begins to drive contemporary people to deviate from the predetermined track, taboo will be put on the desk Religion became the straw of salvation When instinct degenerates into animal nature, desire begins to panic In the last story, a young man falls in love with a female believer who is determined to devote herself to God She was beautiful, but with a cold refusal, and had a meditative dialogue with him like Plato. It seemed that the metaphysical field was the last refuge in the world She said she was satisfied with the temptation of desire, but she couldn’t help beating in her heart But she still chose to return to religion and complete the last chain of self redemption The sentence “I will study in the Taoist school tomorrow” dispels all desires and completes the taboo and suppression of superego to ID and civilization to desire. Just as Foucault said, the era of discipline began here Whether the trust in religion can finally bring physical peace and spiritual peace is still a question mark given by the director At the end, the large-scale mirror shaking is like telling that the same or different stories are still staged in every corner, waiting to be transformed into images or memories

I’ve been thinking about the relationship between text and image Good movies don’t need much explanation and indoctrination Like a special language, it deconstructs signifier and signified, constructs viewer and author, text and image “Day on the cloud” is such a video Marvel at the imagination of the two film masters and their excellent ability to control the lens. The tone of the whole film is beautiful but not flashy. The use of a large number of moving lenses and large-scale shaking and pulling pictures are an excellent metaphor for the rise and fall of desire A casual feeling of being free from the center runs through it, interpreting the calm and sadness brought by the inaccessibility in the clouds Winm Wenders, who loves rock music, brought two top Irish music figures: Van Morrison and U2 band to write a sad farewell to the growing confusion

From the initial unsatisfied state of desire to the pleasure brought by its self indulgence, through another anxiety and desire developed in the satisfied state, it is finally incorporated into the self existence of order, which is the genealogical diagram of desire, or civilization In his later years, Antonio used his lifelong expertise to tell the complex relationship between love and desire, which has been difficult to separate for many years. It is also a map of contemporary desire, revealing the impulse and anxiety confused by appearance

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