• a girl takes off her shirt revealing her breasts (only shown for a brief moment)
  • a burlesque stripper rubs her own breasts (nipples are covered).
  • a burlesque stripper is seen nude again for a brief moment
  • 3 burlesque strippers are shown topless.
  • a girl is shown topless during a dance sequence.
  • a guy who does a quick dance is laughed at by the audience when they discovered he climaxed in his pants after being molested by three women before his dance


Film review:Translated by www.rabudo-ru.com


For a long time, I have been waiting for such a film. When I saw it, I said to myself, “it’s it, it’s it.”

It’s not an inspirational movie. It tells people that after hard work, they will get everything they want, but it doesn’t tell people that a lot of wealth actually flows in the hands of the rich. A few pies left by God just fall on the head of a “unlucky man”.

It is also not a realistic work. It doesn’t complain about the darkness of society and how the poor live in deep water. Finally, I found a job (I have to use a bicycle) to post advertisements along the street, but the car was stolen, no one was reliable (regardless of the police), I went to the doctor when I was ill (I asked the witch for fortune telling), I had no way to find a car (I met a thief and had no evidence), and finally I was pressed by the dark society and took risks to steal a car.

I now think that drama is far more magnificent, more powerful and greater than film. Drama is a real thing that can be unrestrained. It can be more abstract. It has more profound and beautiful language and expresses reality with dream scenes. Face death with cheerful songs and dances. Bring you into its kingdom and inject fresh vitality into you. It can be completely open without being stereotyped and more thought-provoking.

I got all these from a movie. And it is all that jazz, which won the Golden Palm Award at the 33rd Cannes Film Festival (1980).

This is a good film. In my opinion, these simple words are the best honor for it, because I didn’t say “but”

Its director Bob fosse is also the screenwriter of the Tony Award and Oscar winner Chicago and the director of the concert hall. Floating life is like a dream can be called Bob fosse’s own semi autobiographical film.

It’s hard to describe it with one thing. The hero here is a romantic but very dedicated director. His name is Gideon. He made movies and directed stage plays. At the same time, he was unrestrained, independent, talented and merciful everywhere.

In the film, his ex-wife, daughter, dew lover and current girlfriend appear one after another. When choosing an actress for the stage play, he met his lover: “is this your home phone number?” Ambiguous smiles are tacit to each other. Of course, all this did not escape the eyes of his ex-wife as a pillar. It is still an eye contact without language. It was handled neatly here and expressed everything again.

In addition to reality, the film also creates a dream like space where he talks about his youth, his affair and his marriage with a beautiful woman in white. Marriage is ruined, and work is all you save.

His current girlfriend came to his apartment late at night and saw him sleeping in bed with his lover.

People can’t maintain love by being loyal to each other, but if they can’t be loyal to each other, it’s estimated that this love will be the same. But it is completely wrong to judge whether there is true love by whether they are loyal to each other. But I would rather believe that if there is true love, it can make people unmoved by other feelings and physical relationships. The reason why this desire is too beautiful is that it is even more difficult to have loyalty and true love. We think that the love we find may be just an economic need (from an economic point of view, the cost of two people together is far less than the sum of the costs of two single individuals). It may also be a sense of security (on the one hand: hope to be loved, protected, someone can rely on and worship a person; on the other hand: vice versa). It may also be a team combination for common development. These may be considered things, not love. It’s just that sometimes “feeling” misleads us.

Love is not much higher than friendship, but it has too many sexual elements, so that two individuals can be integrated through this relationship. The close psychological connection can bring people a sense of security more than friendship. In addition to sex and a stronger sense of security, friendship can provide everything that love can provide, and it may be better. Most people are not angry because their good friends know new good friends, and no one is happy because their lover has other lovers. Love is not easy to bring people the joy of sharing like friendship.

The woman in White asked him, “woman?”

He: “hope.”

Woman in white: “beautiful?”

He pointed to the woman in white in the mirror.

He said to his current girlfriend, “I really love you”, she said, “I just want to love you well”, and these confessions look so pale at the moment. As he said to the woman in white, “do I love her so much? Of course not. But, maybe a little is true.”

In the conversation with his ex-wife, he found that he didn’t remember the names of his former lovers.

Now I don’t know if there is really love, because most of the feelings we think are love are not love. As a crosstalk said, “do you know where your face is?” A subdivision is not a face. What is the face? Does love exist? The book emphasizes the need to find true love, saying that love is true love only when its main purpose is to nourish each other’s hearts. True love may not even have the feeling of love. But we usually just judge the feeling to distinguish whether we love or not. When there is pain, you think you fall in love. In fact, the source of pain may not be love at all. We want to believe in truth, but we can’t beat our feelings. For example, we may fall in love with someone we shouldn’t love at all, and become good friends with someone who doesn’t fit in with us. These are feelings that have the upper hand. We always pursue rationality, perhaps because of this. In order to guide the disordered emotional world with correct ideas.

The film talks about marriage, love (but I don’t see it), sex, so-called loyalty, the same life day after day, followed by death. And here is the most magnificent part of the film. He lay down in the hospital bed, thinking about his life, and his mind gave birth to the most wonderful play of his life.

Although the death is coming, there is no way to cooperate with the treatment. He continues to smoke, drink and revel in the hospital.

A character in his film said to him, “I tell you, Gideon, I can see into your thoughts. You’re afraid of sticking to the rules.”

Gideon replied, “yes.”

“I know what you’re thinking. I’m not willing to be mediocre. I’m afraid I’m not special…”

Gideon: that’s right

“About sex, hey hey, I’m not saying you’re gay, but you’re really feminine, aren’t you?”

Silence… “Yes.”

The chapter of death, hospital Rhapsody, took shape in his mind. Death was divided into anger, negation, negotiation, depression and acceptance. It is incomparably excellent, but it will never be staged. When the woman in white approached him a little, he tried his best to push her away and the “beautiful” God of death who had always been with him. He wrote himself a line: “I don’t want to die, I want to live” (did he copy Ruan Lingyu, or did she copy him? Or is this the ideal of all mankind?)

Finally, in the “acceptance” chapter of “hospital Rhapsody”, death was praised by cheerful songs and dances, and he walked to the woman in white with a smile.

Socrates said on his deathbed, “it’s time to break up. I’ll die and you’ll live. Only God knows which is better.” This is an amazing work, which can be seen from the scheduling of time and space, the operation of language and the style of narration. Although it doesn’t tell the true meaning of love, laughing at death is another and best interpretation of death.

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