A man climbs into a harem of women. They wear bra and allude for him but nothing is shown afterwards.
A naked man is seen from behind standing up in a bathtub. His bare butt can be seen.

A man sucks on a woman’s breasts.


Film review:Translated by www.rabudo-ru.com


From the perspective of theme, amakod seems to be incompatible with Fellini’s creative style in this period, but it seems to go back to the description of ordinary people’s life in his early works. But in fact, amakod abandons the relatively simple perspective of ordinary people, maintains a balance between individual psychology and social history, describes the psychological situation of groups under situational constraints, and expresses complex themes. In terms of narration, amakod develops the narrative structure of multi characters and amorous festivals that Fellini has been exploring to the most complex level. The scene scheduling continues the consistent complex and smooth skills and style, which makes the overall structure of amakod complex, while the scene is still full or even expanded.

Since “sweet life”, Fellini has a new understanding of the film structure – “the film has gone beyond the stage of prose narration and tends to poetry more and more. I try to liberate the work from the fixed structure. Does a story have to have a beginning, development and end? It should be more like poetry, and rhythm is important.”

It is with the pursuit of film rhythm that Fellini completely abandoned rationality and logic, and then focused on the subtle poetry between fragments, from which he constructed a unique situation of his film. Amakod weaves huge and complex character relationships, showing the repressive nature of small town families, schools and churches under fascist rule. These attributes belong to situations. Fellini’s focus on characters is not the complexity of individuals, but the universality of groups. He put a huge group into the situation and observed the similar reactions of the group under the pressure of the situation only from the desire level. His characters are generally unaware of the repressive nature of the situation to themselves, actively cater to the situation, become a vassal of the situation and suppress others. Fellini’s interest in the situation far exceeds the plot, so the main function of the event of amakod is to form the situation. The homogeneity of individual situations makes the situations logically complement and explain each other. The sexual fantasy situation in which teenagers are depressed and mentally unsound, the mental degradation situation of middle-aged laro and beeschein, and the mental illness situation of Dior and little fox can be regarded as a complete process of mental development and form a mutually explanatory relationship. The detailed individual situation can supplement the missing information of the rough individual situation, such as the strong man scureza, wearing a helmet and riding a motorcycle, causing people to applaud. If this strong man with strong hormonal breath is placed between teenagers and middle-aged, and the situations of these two age levels are used to supplement his growth history and development direction, then this symbolic character will obtain a relatively three-dimensional situation, and his racing behavior can be regarded as a transformation form of vigorous and repressed sexual impulse.

We tried to tile the characters in amakod, just like the hand-painted poster with a horizontal scroll. Priest suffering from obsessive-compulsive disorder, female Sphinx math teacher who is crazy about fascism, greedy embryo art teacher who is loyal to perspective, Greek teacher who is the great God of tongue skill, flower grandfather of dwarf…… The close-up of each face is a key to open the memory, and those fog, wind and rain, like the distant but clear call in the memory, sweep us sitting in the dark into private memories. After the video is over for a long time, the faces of all characters are still vivid. Men and women, young and old, fat, tall and thin, everything is so specific. They are kind, warm and sad. However, The magic of showing the secrets of these faces made me feel another shock of holding my breath and concentration. Because I know that apart from dreams and fiction, the treasures we once had can never be reproduced.

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