Homesex movieAntichrist (2009) Movie Sex & Nudity

Antichrist (2009) Movie Sex & Nudity

Real sex between actors.
Nudity of both main characters including bare buttocks and breasts. Also pubic hair is shown. The woman walks nude her vulva and pubic hair is shown.
A few graphic sex scenes throughout. Full nudity shown, Male, and, female.
A couple have sex in slow-motion black and white, moaning is not audible. Legs and shoulders up are mainly shown, but there is a close-up shot of genital penetration for about 5 seconds. Eventually they climax. This scene is NOT simulated.
A nude woman straddles her husband as they thrust in a scene before he chooses to stop, causing her to run outside. She masturbates, gasping heavily (full-frontal nudity shown in close-up). Then her husband (or an illusion) crawls on top of her and they continue.
A woman stimulates a man’s penis which is clearly visible as is the ejaculation, Please see Violence/Gore section
A woman holds scissors to her vulva, then to her clitoris, both which are depicted clearly, Please see Violence/Gore section
Two scenes of mostly clothed sex (one shows the man’s buttocks). A man and woman playfully roughhouse, not too drawn-out.


Film review:Translated by www.rabudo-ru.com


The representative of “Antichrist” in the film is “witch image”. One of the main lines of the film is the thesis written by the heroine. The theme is the mass murder of witches in European history. This itself belongs to the theme of anti women, and our heroine is also gradually psychopathic (relative to normal people) or spiritual sublimation (relative to the awakening of witch nature in women) in the process of writing papers.

In fact, the heroine could not continue writing before her child died. The study of the slaughtered witch summoned the most evil part of her heart. From time to time, she was confused, and her spirit began to be abnormal. For example, in the second half of the film, the man found in the photos in the forest cabin that the woman’s shoes for her child were reversed, with the right shoe on her left foot and the left shoe on her right foot. Moreover, his wife’s paper manuscript also gradually disintegrated, and finally became a completely meaningless symbol. Then he realized that there was something wrong with the heroine long before the child died.

The death of the child is the beginning of the film, but the psychological distortion of the heroine is a motivation. It provides the objective motivation for the heroine to fall into extreme sadness and then enter a state of ecstasy. Another subjective motive is that her stupid husband gave it to her. The hero is confident and rational. He tries to help his wife (rather control) out of the pain of losing her son with his psychoanalysis and psychological healing theory. As a result, under his constant induction and the call of the forest, she finally wakes up – the thing she fears most is herself! It’s her own nature.

In the process of awakening the evil power, the female leader had two reflections. One was the third day after she arrived in the forest. She suddenly felt relaxed. She could run and jump around excitedly. She was not afraid of anything and was not in a trance. But at that time, the man had a hunch that there was a problem with this abnormal “recovery”. All the bloody hints in the forest surrounded the man in fear. The prelude to the heroine’s complete madness is the forest wild combination the night before, which is also a typical manifestation of the witch’s collective madness (the countless hands stretched out in the branches also symbolize this collective madness.) After the last radiance of the setting sun, the woman was digging a male shovel with a shovel. Suddenly, her conscience found that the part of the normal person was back. She cried and apologized, ran back to find the spanner to rescue the man, but she could not remember where she had thrown the wrench. (this also proves that when she was abnormal, she was controlled by the witch power, both from the forest and from the depths of her own consciousness.)

Finally, the male master strangled the female master (she was already a witch at this time). The director gave the whole process of strangling. The audience could see that the female master’s face gradually turned blue and her eyes widened, and the audience witnessed the death of the “witch”. The funeral of a witch is also the most classic – tied to a tree and burned. The fire lit up. At that moment, the man’s eyes were very confused. Maybe he was regretting his childish self-confidence and forced his wife to die. Perhaps he began to reflect on whether his so-called rational “science” was a good medicine or counterproductive to some mysterious natural forces that we humans feared and avoided.

Here I can say that the men in the film symbolize the just “Christians” who kill witches in history, while women are the images of witches whose nature gradually awakens. This confrontation between the two sexes, either anti Christ or anti women, which wins or loses, we are as confused as the male Lord. Just as he dragged his disabled legs down the mountain, countless witch phantoms, dressed in modern clothes, surrounded him in the fog.

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