Homesex movieBlack Mirror (TV Series) White Christmas (2014) Movie Sex & Nudity

Black Mirror (TV Series) White Christmas (2014) Movie Sex & Nudity

No nudity. The closest thing to it is a man in his boxers, in a non-sexual scenario.
A man’s urine is seen cascading into a urinal. We dont see any of the organs involved, though.
Moderate sexual references (eg. references to sex, oral sex etc.) throughout.
Characters kiss on a few occasions.
A character (this is not shown), watched others engaging in sexual activity live via. the internet. Said character has an argument with their spouse about it.

It is implied that two characters cheated on their spouses.


Film review:Translated by www.rabudo-ru.com


The science fiction drama “black mirror” has been filmed all the way, and now it has been filmed in the third season. All episodes have made new ideas. The series has a consistent screenwriting logic: how will black technology reverse the society in the future? Therefore, no matter how changeable the plot and characters of each episode, or what kind of black technology each episode is to show – whether it is a replicable consciousness or a smart eye similar to “Google glass” – the whole series can maintain the same level and tone without flavor change.

Science fiction films in the traditional sense can usually be classified as spectacle films with the nature of hunting for wonders. The core is still a traditional story, but it just puts on a layer of science fiction to sell the audience imagination and the wonders of the future world and broaden the audience’s horizons, such as avatar and star Wars. Or stuffed some private goods of soul chicken soup under the cloak of science fiction. For example, the recent hit movie star trek is playing the father daughter emotion card.

“Black mirror” is different. In addition to partially showing the wonders of science fiction, it is more of a moral panic for the audience. Compared with traditional science fiction films, it is more similar to moral allegory films. For all literary and artistic works with moral allegory, the author consciously or unconsciously undertakes the mission and consciousness of educating the public, and uses perfunctory and strange stories to persuade and alert the world, so as to achieve the purpose of common customs.

This kind of literary works of moral allegory has existed since ancient times and is very common, especially in ancient Chinese vernacular novels.

For example, the titles of Feng Menglong’s three words: warning the world, awakening the world and telling the world have been made clear.

For example, in the plum in the Golden Vase, XiMenqing’s “drunkenness, lust and wealth” in the book is not lacking. He has good hands and eyes and dominates one side, but he still ends up with a broken family and his wife and children. Especially in the last 40 chapters, the author Lan Ling Xiaosheng wrote a long and sad story, and his moral allegory and exhortation to the world are very obvious.

Let alone a dream of Red Mansions. The book describes all the splendor and wealth. Such a large Rongguo mansion and Ningguo mansion are prosperous and extravagant. Finally, it is “eating all the birds and throwing them into the forest, leaving a vast expanse of white. The earth is really clean”. Dream of the Red Mansions has a sober appeal to common customs, which is similar to Jin Ping Mei.

The way of expressing moral allegory in black mirror is not as clear and straightforward as that in vernacular novels. It is more hidden, but more cruel. The knife sees the bloody cruelty of flesh. When we explore the source of the charm of the story of the black mirror, on the one hand, it is the magnificent imagination spectacle of the editors and directors, and more importantly, it has caused moral panic to the audience. The editor and director deliberately magnified and exaggerated the opposition between science and technology and people, and deliberately caused unequal dislocation between science and technology and philosophy. It is this dislocation that makes us feel moral panic.

Humor is also a kind of dislocation, which is the dislocation of dual logic. “Laughter is an emotion that suddenly changes from nervous expectation to nothingness,” Kant said. People use the single logic to cause expectations, and when they smoothly transition to the double logic, they let expectations fail, which makes people laugh. This is humor. The dislocation in the screenwriting premise of black mirror does not belong to the “humorous” double logic dislocation, but the distortion dislocation under the single logic. Under this logic, the editors and directors deliberately pull out the development of high technology and belittle the evolution of humanistic philosophy, resulting in the dislocation of science and technology and humanities.

This dislocation gives people the feeling of terror and cruelty. Just like a person with two legs parallel, if one leg becomes longer and one leg is sawn short, we will see a deformed freak. A person’s face has different sizes on both sides, and the difference is obvious. We will think he is extremely ugly. Ugliness and deformity all stem from the fear at the bottom of human mind.

Similarly, the development of science and technology has reached the end of imagination, while moral laws and regulations have stagnated or even regressed. The strong contrast between the two is frightening. It’s like the elephant people we watch in the circus, leaving a lingering shock in our hearts. So the big setting of the black mirror series is actually: pull black humanities, enlarge technology, and create a freak to scare you to death.

In the black mirror: Christmas special, there are two basic settings, both of which are black technologies first given and implemented without the permission of morality and Law: one is consciousness extraction, which avoids the “subject” problem of copy consciousness; the other is the use of smart eyes, which avoids the laws and regulations on the use of smart eyes. Only by deliberately ignoring these two problems, ignoring the limitations of morality and law, and allowing black technology to grow freely, can the story tension and strong contrast make the audience shudder, and then trigger the audience’s thinking to express the moral allegory of the editor and director.

Of course, the fear caused by the black mirror to the audience and the shivering of watching the freaks in the circus are the same kind of panic in essence. In this sense, the story of black mirror is another kind of freak for us to hunt for, a freak that will not happen in normal society.

Finally, I have to pay tribute to the editor and director of black mirror. Not only did you come up with superb settings, but you also told the story to a climax and a lasting aftertaste. It’s not difficult to be creative. The difficulty lies in how to tell a good story. In this regard, black mirror provides us with a perfect model. Can you sell ideas with stories?

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