Homesex movieChappie (2015) Movie Sex & Nudity

Chappie (2015) Movie Sex & Nudity

We see a woman on a TV screen move on a bed to sit on her knees: her bare breasts shake along with her bare legs. This scene is at 1:07:49 – 1:07:53!
Two women wear low-cut tops that reveal cleavage.
A woman wears tight jeans that accentuate the curves of her hips and legs.
A woman wears a series of extremely tight, short-shorts. Several men are often shirtless, showing off tattoos on bare chests, backs, arms and necks.
Two small balloon creatures painted on a wall seem to have penises.
A man teaches a robot to hold his crotch when he walks in order to look “cool.”
Penis graffiti seen in the background, and tattooed on a major character’s arm.
Main female wears t-shirt that says “who need tits?” on the front, “with an ass like this” on the back.


Film review:Translated by www.rabudo-ru.com


Let’s warm up with some gags first.

Chappie is performed by sharlto Copley through motion capture technology. His touching relationship with the director can be traced back to high school. Since then, he has participated in every film of Neill and will continue to cooperate in the future. After all, even this cute role with no bottom line has been played. What else can’t be played? I’m looking forward to the gags of this film. I’d like to see how rough man Copley performs the “frightened deer” of rabbit ear chappie’s childhood under the guidance of the director. Think about the feeling of shame play.

Chappie’s rabbit ear comes from briareos in Apple nuclear war because the director is pink.

The “American” in the non mainstream Trio in the film is Martinez in the walking dead. In reality, the other pair is the South African band die antwoold, who plays by his own name and probably by his own color. Both of them are Neill fans, and Ninja also has a tattoo in area 9. They also arranged the episode of the film (from noise to funeral). It is said that Ninja’s performance on the set was terrible, which directly led to his friendship with the director.

*The following includes spoilers*

In fact, the director has already hinted to us in several ways that “this is just a film made by my teenage heart attack. Please don’t take it too seriously”. When the title comes out, it’s a lovely font of pink and blue! Whine to heart fibrillation. Look at the police robot inspired by the robot designer. Is it a rabbit ear? Rabbit ears! Please tell me what rabbit ears mean except selling cute. The following scenes include the robot of “frightened deer”, the robot sitting quietly painting, the robot with the face of the unscrupulous “father”, the robot pressed by Hugh Jackman to beep on the ground – the robot shouting no in panic, the robot listening to his mother’s story by the head of the bed, the robot hiding the doll behind him, and the robot embarrassed to show people Golden chain non mainstream robot… I’m not good at integrating an AI like this. Then he brought the above plot into Copley and immediately laughed like a dog.

Even the subtitles at the end of the film are pink, which seems to shock the audience when they see the end – the director is just a robot madman with a girl’s heart. Please let him go.

This is probably the simplest, violent, insane and fearful ending in recent science fiction films. The stem of consciousness transfer. Other science fiction films need to use a film. This film directly inserts a line, copies a file, and brushes the consciousness from organic to inorganic or inorganic to inorganic. Immortality is not a thing at all. So you see, the most unlucky AI creator in history – bullied by a strong man in the company, robbed of his efforts, bad efforts, and destroyed his lifelong design in the hands of a strong man – becomes the happiest in a second. Easily cross the human-computer boundary and break the reproductive isolation (what are you suggesting!), Like his own works, he has become a more advanced and high-end immortal AI than human beings. From then on, he can play together without shame, avoid being wanted by the authorities, and may create more of the same kind.

Typical us against the world.

I’m not worried at all. Without the shackles of the three laws of robots, will we kill humans together.

It’s not surprising that after the collective scrapping of robots and robot robbery, humans are still making (more) humanoid robots.

Forget it, don’t be too serious. The director just implies that everything is possible for the audience, even if you are human and he is an opportunity – and the tragic ending of the character’s death is forcibly turned into happy ending by the director. Am I watching Disney. Therefore, a film that we thought would deeply and seriously explore artificial intelligence has finally become a man-machine film__ Light comedy.

Neill’s films are always full of personal style and high recognition. The three long films are dirty and messy + Black technology. It’s like seeing a cool robot sweeping the toilet. We can feel his deep love for the land of Johannesburg and the unique gold chain non mainstream people on this land. Therefore, even if the film involves high-tech topics, it will certainly make a sense of “simplicity” in line with local and contemporary characteristics. For example, the company producing chappie in this film is expected to have a futuristic and design appearance in ordinary science fiction films, such as a mirror like ground, open space, metal interior, etc. However, in this film, the company doesn’t look as good as a magazine. The two chief designers squat in the lattice. The boss’s office environment is not as good as the dean of primary school. This near future setting is quite natural (rough), which also makes all Neill’s films seem more “human”. Therefore, the audience is more likely to use all high-tech equipment as props, just like wrenches or screwdrivers. To some extent, it avoids the noise of special effects and science and technology, and allows us to have a good experience of the shaping and development of characters.

People oriented is obviously one of the core themes of the director. The “I” in chappie is a jumping pink word, which represents the awakening of (lovely) “self-consciousness”. Chappie’s body is a machine, but her mind is closer to people. At the beginning of his birth, like children, he was a piece of white paper. He built his knowledge by receiving external information. Like all children, he is easily influenced, seeks advantages and avoids disadvantages, and is more willing to believe sweet words than cruel truth (he wants to believe that unreliable “Dad” can save himself than the earnest teachings of the creator). On the “first day of school”, human hatred for machines taught him a lesson. He fled in abuse and attack, and his three outlooks collapsed. He realized the concept of “malice” for the first time. This concept seems to exist only in human society, mostly between people and things they don’t know and fear. The film could have done more discussion in this regard, but it was a little regrettable. Maybe the director still wants to focus on the growth of a role, rather than discussing too complex issues such as AI or man-machine relationship from a broader perspective. Therefore, the popular AI threat theory is hardly mentioned in the film. What we see is the growth of a special child in a complex society. “What really represents you is your inner side, not your appearance.”. From this point of view, chappie has a human heart, which is a human role.

No one knows how to throw an AI without initial settings to the criminal training, which is a great fear. However, Neill boldly imagined that at the beginning of human life, human nature is good. Chappie, like people with sound mind, expects love and soft voice, and keeps a distance from violence, except that it is related to life and death. Different from the machine under the three rules of robot, chappie has the same selfish side as people. Like people, chappie will hurt others for survival, which is beyond the boundary! Director! It’s out of bounds! The director dares to let a pure teenager turn bad under the instigation. In addition to being rude to his real father, he is also involved in crime, which is different from other mainstream films. Shouldn’t the real Hollywood assembly line work make chappie show the consolation of good people on the display before hurting people and repent for a second? Shouldn’t it go away after saying coldly “I’m not a person like you” to the enemy when avenging their relatives instead of giving old punches. So I want to say that this setting is very kind. The robot with self-awareness chooses to attack humans to prolong his life, whether or not he is instigated by bad people, but he finally makes this choice by free will – such a plot will eventually make a human audience uncomfortable, but don’t forget that chappie is a human in this script, and this “selfishness” is what makes him different, It’s what distinguishes him from other robots. Only human beings with self-consciousness will do so.

The story of “the acquired education affects the formation of personality” is actually enough to support a film, but there is no real villain. It seems that there is something missing, so it is played by Hugh Jackman (so sexy, are you still a code farmer?) Villains come in handy. The setting of this character is still very realistic. Although he opposes AI and designs and reimburses all the robot police, which makes the whole city in hot water. It seems very evil and powerful, he is not a psycho who wants to destroy the world. He just wants to sell his products.

The audience was almost crazy: it’s not good to sell your big killer to anyone. Can’t you sell it to the military? Don’t you have a brain pit when you sell that kind of thing that looks very evil to the police station. What’s more pitiful is that the big killer of this scheming man seems to be just a paper tiger, and the director hardly makes much effort to show its rolling effect. It’s not proud to kill a few fragile humans and then be blown up by mini competitors, this villain!

In short, I appreciate this alternative human growth story. Although this style is obviously not loved by everyone, the music with too much emphasis on many times is even more troublesome (yes, it is the music with too vulgar a sense of existence in the blissful space). The rough and labor-saving divine stick knot will also make people blurt out WTF, However, it truly reproduces the experience we have had – the beginning of innocence, the warmth of love, the bitterness of evil, unknown evil and conscious selfishness, and groping back under the influence of people who really care for themselves. In a new way, it projects these experiences onto a different role to create alternative moving and sprouting points. It is taking us to know robots, AI and ourselves.

Of course, I can’t forget the moment it poked into my heart. Chappie saw the world for the first time, saw a friendly or alert strange face, and trembled to say the first word “watch”, and then it closely followed the people she knew, as if the small world in front of her was everything to him – somehow, this reminded me of the first story “small machine” in “I, robot”. The really great man-machine relationship is sometimes so simple: you are everything to me and I am everything to you. Of course, the director took a step further on this basis. He actually sacrificed logic to finally make carbon and silicon together.

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PS. there are two games specially matched with the director’s style, one is the terminal survival game “radiation” with dirty and poor + wonderful sense of humor, and the other is the zombie survival game “dying light” with the protagonist running around in the alley late at night to avoid being knocked down by strange brothers. Neill, would you like to think about it.

pps. Before watching the movie, I also felt that maybe Neill could shoot Asimov’s robot series. Later, I thought, if he came to shoot, Copley would be either belle or Daniel… Forget it.

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