Homesex movieCrazy Rich Asians (2018) Movie Sex & Nudity

Crazy Rich Asians (2018) Movie Sex & Nudity

A clothed couple kiss passionately in bed together.
A man has wine spilled on his clothing and goes to change his shirt. His bare torso is shown.
A man is seen from the waist up in the shower. We see him then walk into his bedroom shirtless and wearing pajama pants.
Several women wear bikinis on a boat during the bachelor party.
A couple kiss and embrace each other suggestively on a film set and later on the dance floor at a wedding – both times played for a comic effect.
Though some innuendos are present, nothing is revealed explicitly.
A woman tells a man to grab her breast, which he does, and they make out in front of everybody.
A man tells another man that his girlfriend has small breasts. He gets ready to attack him but his friend tells him the man is just drunk.
Married woman sees text message on husband’s phone that makes it obvious he’s cheating on her.
A group of people discuss about a family member being casted in a porno movie.


Film review:Translated by www.rabudo-ru.com



The film is called “crazy rich Asians”. Asians here should refer to Nanyang Asians and their international peers. It can be seen from the class stratification of East Asian ethnic groups whose original authors from Singapore are “popular science” for foreigners: from high to low, they are Indonesian Chinese, Singaporeans, Hong Kong people, Malay Chinese, Eurasian, Asian Americans in New York and Los Angeles, Chinese Americans in Connecticut, Asian Canadians in Vancouver and Toronto, Australian Chinese in Sydney and Melbourne Thai, Forbes, the Filipino, the American born Chinese, Taiwanese, Koreans, Chinese mainland and ordinary Indonesians. In this ranking, the per capita GDP has surpassed Spain and Greece, and South Korea, which is firmly ranked as a developed country, can only rank behind Indonesia, Thailand and the Philippines, while Japan in the G3 is directly ignored. Perhaps the author thinks that Japan has “separated from Asia and entered Europe” and needs to be deprived of its qualification to participate in the Asian visual chain.

The author’s evaluation system is “old money”, and Indonesian Chinese and Singaporeans are undoubtedly the decent old money in the author’s mind. They receive western elite education, speak pure and fluent English and have a good relationship with Western milk. In the interview, the author mentioned that some people in Asia are very rich and have a fine life. For example, his grandmother customized shoes from Paris as early as the 1930s. I don’t know if the author wants to distinguish from the poor Asians / Chinese in the Western stereotype? Try to make the West know: look, don’t confused us. Some of the Asians are rich. We are different from the Chinese mainland’s “upstarts”. This Asian disdain chain and the cultural attribute of the yellow banana “outside yellow, inside white” in the film made me wonder why I was so familiar with all this and felt beyond the scope of Nanyang?


Finally, I realized that Nanyang culture has shocking similarities with Latin America and even Africa. In Argentina, Venezuela and even the former Republic of China, there are many old money with decent clothes and elegant European life. The beauty and elegance of Mrs. rose Bellon of Argentina are much higher than those of Song Meiling, let alone Nanyang Laoqian. These places are just like the European Union calls Italy and Greece peripheral countries every day. These places are the marginal areas of the western system. The core of the western system lies in Europe and America, and then narrowed down to the United States, Britain, France and Germany. They are not only the center of western politics, economy, science and technology, but also the birthplace of cultural trends and standard setters. A person’s elegance, profound knowledge, and even the evaluation criteria of beauty and cool completely depend on Western aesthetics. These marginal areas must be integrated into the western system, just like the doctor of economics of a second-class school trying hard to find Long Yan Yiyue, editor of boding magazine. People in the marginal areas, even the rich, are in a fragile country with a net deficit of cultural trends. Subconsciously, they still need to rely on superficial labels such as “British lifestyle”, “authentic American nasal sound” to cultivate self-confidence, Still waiting in fear for the British and American people to recognize their identity and taste.

At the beginning of the film, Michelle Yeoh plays a scene in which Mrs. Yang is discriminated against in a foreign hotel and killed by money. Although it is very gratifying, it shows an unspeakable contradiction and sadness. The spread of ideas and consciousness will be slower than the change of economic strength. That’s right. You need money long enough to make others realize that you are not a refugee, but will discrimination end? Can you create a deep eye socket with eye shadow to make you feel like a Caucasian and not be laughed at? The ability to think independently, innovation and cultural prosperity may be the final answer. Therefore, I admire Japan and South Korea more. They are transnational giants with real scientific and technological content, and also have their own complete system of cultural industry. Riman is the childhood of many Europeans and Americans. Pok é mon go can ignite a summer. Under the tip of the iceberg is a profound cultural internal skill; Korean kpop is brain crippled and superficial. It can make a Brazilian man try to look like a Korean. It is also an absolutely successful cultural output. Out of curiosity, I once asked a German sister with dimash’s video. Where do you think he is from? The sister blurted out “South Korea, only South Koreans have such perfect looks”, which made me marvel at the Yan Ba image of South Koreans in the hearts of some people in Europe and America. I have also seen messages from Filipinos under the Chinese brain disabled puppet show on YouTube: I used to think that Asians were ugly and had a sense of inferiority. After watching this play, I found that we Asians were so good-looking and very happy.

Asians can be cool and good-looking, not necessarily by trying to imitate the smiles of whites. The world has all kinds of beauty to appreciate. Is the black supermodel beautiful or not? It’s very beautiful. Would you compliment her with “black on the outside and white on the inside”? When Asians try to draw a line with the yellow people and want to declare to the world that our hearts are white, they have actually put themselves in an inferior position. Real self-confidence comes from inner prosperity and the economic and cultural status of the whole ethnic group. Can we really bring us the long-awaited equal status by breaking our cultural legs and stuffing ourselves into the marginal zone of western grand narration? We are not an inferior nation. We have our own aesthetics and culture, but we are still developing. Fortunately, perhaps our generation can decide whether this legacy of the colonial era can be swept into the garbage of history. Looking forward to that day, when Asian culture is reborn, when Asian Americans don’t have to be like Kong Yiji, who is afraid to flash his waist.

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