One sex scene. This does not add anything to the plot and can easily be skipped over
A long sex scene, with a musical overplay, you see the woman’s breasts and it is very erotic. A short sexual scene with another couple after that.


Film review:Translated by www.rabudo-ru.com


I don’t care whether it is translated into three-step killer or hero doesn’t cry. I’m going for Desperado. This song of the eagles, like Hotel California, is immortal:

Don’t your feet get cold in the winter time?

The sky won’t snow and the sun will shine.

It’s hard to tell the night time from the day.

And you’re losing all your highs and lows

aint it funny how the feeling goes away…

Although it turns out that the song has no direct connection with the film, the film performs a bit of the mood in the song: Mexico, wilderness Town, guitar, feeling goes away… The background music is also full of tunes like the prelude to the hotel California, the soul stirring guitar, which is very great.

In fact, this is one of Robert Rodriguez’s “Mexican Trilogy”. Like “Mexican past”, the Mexican wind is strong. At the beginning of the film, the slightly obscene passer-by a narrated the legend of the legend killing the whole staff of another bar in a bar. Everyone present and the audience were stunned. The whole atmosphere had risen before the protagonist appeared. The whole follow-up film is also cool. Killing is like a shooting game. All kinds of volleying actions are according to the coolest, and the enemy falls down. Both the enemy and ourselves change bullets at the same time. They move slowly. Even the sound of the magazine is neat. The difference is that the protagonist will never be simply shot. He must be injured by special weapons such as throwing knives and can’t be fatal. The two allies are even sharper. The guitar box directly launches rockets. They never move their nest. When they run out of ammunition, they are beaten into horse beehives. The protagonist doesn’t look back at his dead companion, wisps of long hair, and walks away with the guitar box. As for explosion, pure men never look back at explosion, which is an inevitable law. As for the plot, it is never necessary to have a plot in this kind of film.

The cool protagonist is Antonio Banderas, a Spaniard who plays a good guitar and has a strand of long hair; The heroine is Salma Hayek, a Mexican beauty, which belongs to my typical favorite Latin style. With them, the slower the rhythm, the better, and the more negligible the plot, because the plot will hinder them from being cool and lingering. The villain boss jokum de amelda also lived up to expectations. At the beginning, he struck matches with his minions’ cheeks to establish his aura.

What’s surprising is Quentin Tarantino’s random entry. The role of this obscene man is “pick up guy”. He appeared in the pub and told an obscene shit joke. He was taken into the secret room behind the toilet full of shit and urine, and then his head was shot. He appeared for a total of 5 minutes, but indelibly brought a considerable black, obscene and cynical color to the film. The neon light on the front door of the first bar reads “clients are always wrong”, and the sign on the front door of the second bar reads “members and non members only”, with plasma splashing and corpses piled up in a mountain. Minions should be featured when they brush the floor and clean up blood stains.

The dialogue with the highest frequency of male and female protagonists:

”Did I thank you?”

“No, you didn’t.”

“I will.”

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