Homesex movieDouches froides (2005) Movie Sex & Nudity

Douches froides (2005) Movie Sex & Nudity

A group of teen boys shower after practice, includes full frontal nudity of several of the boys and full rear nudity of the entire group.
Two teen boys and a teen girl are playing with a camera, taking pictures while grouping each other, one boy pulls down his pants exposing the base of his penis.
Two teenage boys and a teenage girl have sex, the boys take turns manipulating the girls limbs and thrusting is clearly seen.
A nude teen girl cleans herself after haveing sex with two boys, she is seen washing a fluid from her hand and wrist and wiping clear fluid from her inner thighs.
Two teenage boys shower after having sex with a girl, the boys are completley naked and facing the camera.
A hotelroom is rented in order to repeat the threesome, later one of the teen boys and girl are heard conversing and interacting in the hotelroom bathtub, nothing is shown though.


Film review:Translated by XX www.rabudo-ru.com


Mikel sat alone in the examination room, dazed at the messy characters on the test paper. He said to himself that sometimes life is like this. Bear it alone and try to face it. That’s it.

This premature 17-year-old boy seems to understand the true meaning of life better than his peers, and understand the great forbearance and courage necessary to walk through this world.

This is a good thing. But he still couldn’t help asking, has anything changed? All need to change.

Such contradictions are enough to produce a story, although we may be able to guess the whole outcome early in the morning. But in the light and shadow, finally let us see again that the deja vu boy is hesitating and struggling in love and loss.

Cold showers is the first feature film of French documentary director Antony Cordier. Not gorgeous, not exquisite, simple image style, still like a documentary, close to the truth to the greatest extent, and try to explain something.

There are many films, such as angel Emily and American pie. Strictly speaking, they can’t be regarded as images recording growth. Although the protagonist seems to have experienced the frustration and frustration of growth, he is too whitewashed in terms of technique alone, with the characteristics of a certain type of film. Their existence actually gives people comfort. Like the popular books sold at the entrance of the subway, they enable people to get satisfaction in small pleasures and then have the courage to continue to face the bleak life.

“Youth films mostly take love as the enlightenment and death as the sign of growth”, Antony Cordier did not fully abide by this law. Although I still can’t escape the topic of love, in the cold shower, what really matters is not the story like nothing, but just a certain state. Everyone who came all the way from his youth can feel the special state of being disappointed but somehow lost. And almost nothing happens at the end of the film, but you know, something is over.

Mikel, the protagonist of the film, is 17 years old, beautiful and strong. He is the captain of the school judo team and is about to face the HKCEE. He can balance his friends properly, he can learn to have sex with his girlfriend like an adult, and the family dilemma is not unbearable. In addition to poor academic performance, it can even be said that his future is full of hope.

But he will never be fully satisfied because of these. Under the obscure sky of the city, life is still helpless and exhausting. As for those inexplicable agitation and loss, I don’t want to simply boil it down to adolescent hormone emergencies, which is almost the biggest insult to human independent soul. Especially when you face the clear and bright eyes of the boy playing Mikel, but you can’t go in.

There are almost no fierce contradictions in the whole film. The pressure of entering school, the noise of parents and the dispute with foreign students are just small episodes that everyone will face in daily life.

The only thing that can really be called dramatic conflict is the chaotic blind date between Mikel, his good friend Clement and his girlfriend Vanessa in the gym. Hidden beneath the surface of the joy of fish and water is a thrilling but meaningless tug of war between naturally aggressive teenagers.

This competition directly led to the break between Mikel and Vanessa, and the continued contacts between the two teenagers also had some hidden thoughts untimely.

What Mikel can’t understand is that Vanessa’s transformation from an angel to a slut in his heart stems from the unwilling nature of a teenager and the fear that she can’t fully control things. When Vanessa threw herself into Clement’s arms, Mikel finally stopped “generously” thinking that feelings can also be shared with his friends, because his “control” over Vanessa has been essentially deprived. For example, you can generously lend your laptop to your friends, but you don’t want the whole system to be obviously printed with other people’s use marks when it is returned. This mentality is very subtle. The director has achieved great success in using open sexual language to express his inner obscure emotions.

Another interpretation is that Mikel denied the actual existence of his feelings for Vanessa from the beginning and refused to expose his real ideas. After the three people’s “game”, he began to be in a passive position. That’s why he felt insulted, as if he had been stripped naked, exposed in broad daylight, and all the twigs and ends of emotion were seen by others.

This is the dilemma we faced when we were young. We are selfish, but we have to pretend to be generous; We care about many things and even regard them as private property, but we always pretend that it doesn’t matter.

Of course, at the end of the film, the two still make up. They sat together, said something unimportant, restrained each other, and naively thought that they could go back to the beginning.

But I know in my heart that I can’t go back after all, like those huge wounds sewn by needles and threads, leaving indelible marks.

At this time, the situation of the family seems to have improved.

He decided to deceive himself by saying that I was satisfied with all this. I was no longer a child. When he said these words, he was at the seaside. Looking at many judo loving teenagers there, he felt that there was a great strangeness. And peace. Before that, the weak boy finally sat on the sofa and burst into tears.

The changes we wanted before seem to have finally taken place, but not in the direction we hoped for. Or you don’t know from the beginning, which is the ideal front.

Then the movie ended and the music sounded. Beautiful female voice, faint despair. I know that everything will pass, and time is the final winner.

Another translation of the film is “cold water bath”. Will Mikel’s tomorrow be better, as he hopes? After the cold bath that this life must experience, maybe he will catch a cold, maybe he will be stronger.

As for me.

I closed the curtains and sat in the dark little room all day. In those clearly visible flowing times, I still can’t find the right words to tell the youth at the end of the line. Mikel’s, or my own.

Today. There are lights at night.

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