Homesex movieFree Guy (2021) Movie Sex & Nudity

Free Guy (2021) Movie Sex & Nudity

A streamer wanted Guy to kill him to make him look famous and he said “give it to me Daddy”
A Cosplay bunny says come on guy I’m a bunny. We’re apex hunters all we do is Bone and Brawl
In the beginning of the film, when guy is taking his first sip of coffee, he says “it’s like losing my virginity with my mouth”.
A couple of kissing scenes between the main actors
Streamer guy tells mom not to touch his special sock and if she does it will put her in therapy.


Film review:Translated by www.rabudo-ru.com


01

In my opinion, the biggest highlight of “out of control player” is not visual effect and imagination, but that it holds an equal attitude towards the virtual world.

Most movies believe that the virtual world is dangerous, addictive and empty. For example, those movies compared with “out of control player”, “Truman’s world”, “extreme space”, “matrix”… Without exception, are using the “false” of the virtual (fictional and illusory) world to contrast the “true” of the real world.

“Out of control player” does the opposite, telling us that the virtual world is also another kind of reality. People who live inside can also live very well.

This also corresponds to the “post alphago” era, and people have a deeper awe of science and technology.

“Out of control player” is generally believed to learn from films such as Truman’s world.

Guy, the first protagonist of the film, is the NPC in the game. He used to live a life set by the code until one day, he fell in love with a female player named Millie. In order to follow Millie, guy changed the established track of action and gradually realized love and freedom.

The whole film is actually about guy’s “adult” road, which is an existential awakening radiated by love in the face of the nihilistic world.

And this is the most different part of out of control player.

In this science fiction film, there is no drama of “technophobia” and “Ai rebellion”. What you see is the harmonious coexistence of virtual reality and “creator (human)”‘s almost similar emotion for “created thing (AI)”.

It is a life praise about “Ai adult”.

Guy in out of control player has no ambition to compete for the real world after awakening, and people in the real world have no fear of eliminating AI.

02

If the film can follow this idea to the end, it will be a complete and innovative work. But unfortunately, the ending was timid.

After the vigorous cyber love affair, Millie finally chose to return to reality and hug and kiss her entrepreneurial partner. The ending is not difficult to guess. Although the film lacks enough foreshadowing, it can be seen from some sporadic details that Millie and the keyboard have long liked each other, and falling in love is only a matter of time.

However, this seemingly happy arrangement has become the biggest failure of the film.

In order to make Millie’s choice more reasonable, the creators also specially designed a reversal: the reason why guy fell in love with Millie at first sight seems to be an awakening of love, in fact, it is because the keyboard encodes his love for Millie on guy. As guy said, “I’m just a digital love letter sent to you, and the person who wrote this letter is in your world.”

At first glance, it sounds romantic, but when you think about it, it’s extremely cruel. Because it not only writes a happy ending, but also obliterates guy’s road to adulthood.

Is guy’s behavior after awakening spontaneous or programmed?

The tool man thought he had got rid of the fate of the tool man, but in the end he found that he was still just a tool man; His so-called sense of autonomy is just another series of specified actions given by programmers; He went through fire and water in the virtual world and nearly lost his “life” in exchange for a gentle kiss from a couple in the real world.

It’s so frustrating.

03

So is there a better ending?

Of course.

In my heart, the ideal ending should be: Millie chooses to be with guy in the virtual world.

This is not only romantic, but also fits the logic of the whole play. Because this film is about guy’s awakening due to falling in love with Millie. If Millie can finally respond with love and complete guy’s adult Road, wouldn’t it be the best of both worlds?

You may think that it’s a little unreliable for real people and AI to fall in love across the border.

But the essence of love, or its moving point, is that it can overcome secular obstacles and prejudices, so as to achieve itself.

Real people fall in love with AI, which is the really bold ending.

That’s true of those classic love stories. Romeo and Juliet span the feud between the two families; Liang Shanbo and Zhu Yingtai crossed the ethical confinement of “parents’ orders and matchmakers’ words”; Jack and rose span the class difference between poor boys and rich women

Now love movies are becoming more and more difficult to make, because with the increasing independence of modern people’s economy and consciousness, the above obstacles have no longer become obstacles. This can partly explain why same-sex love films are still popular, precisely because same-sex love is still untouchable in many countries.

Then, why not love that crosses the boundary between virtual and reality?

In fact, spike Jones, the Hollywood ghost director, has already made it in her. Through the story of a man falling in love with AI, she tells the story of modern people’s social incompetence and doomed loneliness. It actually expresses that AI is not human after all. It can neither meet people’s exclusive desire for love nor provide physical intimacy lower than spirit. Therefore, this cyberplatonic love ended in failure.

She tells that people can’t fall in love with AI who can’t be seen or touched.

“Out of control player” had a good chance to make a negative “she”. It can boldly admit that when an AI has the ability to love, the obstacle in front of this love is no longer “man-machine difference”, but just secular prejudice.

If Millie could break through prejudice, bravely walk up to guy and say to him, “no, you are not a love letter. The person I love is you.”

Isn’t this a desperate romance?

Unfortunately, “out of control player” is about to reach the end, but it has turned back to the old way.

04

It’s too conservative after all.

Not only “out of control players”, we can see this conservatism in creation in several recent Hollywood blockbusters. Obviously, there is a subversive and even offensive idea, but it will still be pulled back to a traditional and safe ending.

“Black and white demon girl kuira” tells the growth history of a female demon head and how kuira was occupied by her inner demon personality. But in the end, the creators still want her to say pitifully to her friends: “you are my family, you are all to me.” Finally, she really returned to the “family”.

Task force x created an alliance of villains formed by a group of villains, but after a bloody storm of r-level plasma tablets, these villains suddenly “changed their evil ways and turned right” and became heroes of salvation with great righteousness.

Bad guys and villains play the leading role in the film, so villains have to become positive heroes.

It’s not that I can’t see a happy ending and appreciate positive energy. But these films clearly dressed in strange clothes and put on a maverick posture, but they were timid at the last moment and became three good students again. This is really a bit divided.

In the final analysis, it is because the creators are not bold enough. They are worried that the steps are too big for the audience to accept, so they only dare to give a surprise start, and then stop when they are good.

This has fallen into a kind of embarrassment of “fighting left and right”. Just like the bridge section in “out of control players”, the creators just ridiculed the conservative thinking of “big Hollywood factories rely on IP to survive”, turned around and couldn’t help but move out the shield of the captain of the United States and the fist of the hulk and consume a wave of IP dividends.

You don’t have to.

The audience is already ready, and the creator might as well be bold, ahead of the audience’s expectations, to imagine another ending.

However, we can see further.

Although “out of control player” still makes a compromise under the coercion of market and creative inertia, its breakthrough under the framework of science fiction film may be more valuable.

This value is that it is the first work that regards AI and human life as equally important, and it really establishes empathy with the audience through a virtual character, completing this more thorough and modern expression of “equality of all living beings”.

Although there are regrets, there are still flaws.

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