• A woman tells another that a man sees her as just breasts walking around
  • A man tells a woman he wants to have dinner with her to “talk” about her possible work promotion. Insinuating she has to sleep with him to get the promotion

Film review:Translated by www.rabudo-ru.com


I was very excited about the film that year. This is the enlightenment film that I love monster films. It is also a classic that I think no one has surpassed so far.

Different from ordinary monster films, Roland designed two force lines: the U.S. military and the French side. After the protagonist was driven out of the military, the French side completed the investigation for him. Finally, the military lost the monster. In addition, the story between the protagonist and his ex girlfriend is also a seasoning. After his girlfriend betrayed the man again, it also means the beginning of the cooperation between the man and the French side. There are also many small details of passers-by, such as the leisurely fishing of the old man and the chatty dialogue between two thieves, which makes people feel that this is a story attached to the real world, which is a lot intimate.

Of course, as the main plot of monster battle, the scene design industry is also very attractive. The big monster is using its brain to deal with the military. It knows how to use a cover up to lead the military aircraft behind its back, and how to use tracking torpedo guidance to counter attack the enemy’s submarines. It’s really a bold and careful big man.

The scene in Manhattan square is the most disturbing for me to see, because it is completely facing a strange environment, a strange creature, so close to itself, there is the possibility of death at any time. Coupled with the large number, it is difficult to escape. The death of the four Frenchmen well set off the terrible atmosphere in the early stage, followed by non-stop street fighting, completely peeless and extremely nervous. The small monster moves slowly in a short distance and runs at an amazing speed in a long distance, so that the protagonist can escape some scenes, but he is always in an absolute fear environment. The last walk between the monsters also makes the entertainment high to the extreme.

I don’t know why those who comment on gojira in Douban are environmentalists. I think the film is an excellent commercial film with excellent entertainment, special effects, music and details. As a horror film with a score of more than 7 is the qualified standard, Douban’s score is obviously less. It seems that monster films are difficult to make today’s Wenqing happy. I have to reserve my opinion for the time being.

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