Two girls run through the woods and strip down to their bras and panties. At the end of the scene they innocently kiss.


A sex scene between a teenage girl and an older man. We only see them from the neck up, however there is graphic thrusting depicted. In the original New Zealand distribution, the girl was briefly seen topless arising from bed. That has been excised from later versions.
The two main characters bathe together, their breasts can be seen beneath the cloudy water.


A brief love scene between the two young girls pretending to be the characters of their stories. The “clay people” are seen thrusting each other. But they’re still in their clay clothes. It is fairly mild, and we see nothing but their chests. The actual breasts are not visible.
There are several scenes suggesting the girls have lesbian tendencies if not an actual lesbian relationship.


Film review:Translated by www.rabudo-ru.com


The story is based on the Parker Hume case, a real mother killing case in New Zealand in the 1950s. Over the past 60 years, it has been described in many ways – parents’ lax discipline and ineffective teaching of their children; The evil and evil consequences of homosexuality; The oppression of church schools and so on, but Peter Jackson described the characters in the story as accurately as possible and refused to make a simple judgment on the reality.

For the Parker Hume case, Peter Jackson showed mercy and tolerance. He did not accuse them of their crazy behavior, nor hypocritically ask them to apologize or regret for their behavior, but understood their friendship and behavior very much. Therefore, there is no excessive subjective will of the producer in the angel of sin. “What we are interested in is to let the audience see the deeds of two 15-year-old girls as accurately as possible and try to imagine their world in some way.”. Peter Jackson described the characters in the story as accurately as possible and refused to make a simple judgment on reality. However, Peter Jackson did not completely stick to the facts, but performed artistically. He didn’t waste his fantasy talent at all. The moving scenes showed the joy of the two people playing; Dark scenes and strange clay figurines create a strange atmosphere in the “Fourth World” they fantasize about; All kinds of scenes in the murder scene in the park are staggered, which makes the crazy mother testing behavior more shocking… The whole video has no other violent scenes except the bloody mother testing clips and some fighting behaviors in the “Fourth World”, and all kinds of conflicts and contradictions are hidden in a bright and peaceful atmosphere. This artistic treatment is undoubtedly subversive for Peter Jackson, which gives people a new understanding of Peter Jackson. Therefore, the angel of sin is known as “one of the most unique videos in the film festival”. Commentator David Rooney believes that it “makes public opinion bow to its knees”. While it has “string eyes and flowing skills, it also makes a complex and credible description of a pair of out of control relations”.

The first step to change the style of violence is to make violence visually “introverted”. Violence is no longer a visual bomb on the screen, so as to return from bloodthirsty exaggeration to normality. This change is unacceptable to a small number of fans, but it is undeniable, Peter? Jackson’s transformation was successful. He jumped out of the field of evil code and Tun film, and his grasp of realistic themes was also easy to use. However, this does not mean that Peter Jackson gave up the element of violence. Because the violent element of Peter Jackson’s shadow grass has not fundamentally changed, but only changed the way of violence presentation, that is, from visual violence to psychological violence.

“Angel of sin” is the transformation of Peter Jackson’s violent style. It is also from this video that he began to restrict the almost out of control violent performance. The visual shock brought by the violent elements in the video has weakened a lot. The angel of sin has only one bloody expression, but the theme of violence still runs through the whole film. The film does not have the previous blood splashing or broken limbs, but describes the actions and expressions of the perpetrator and the pain cry of the victim. The audience can’t see the victim, but can imagine her pain. This psychological shock brought by the picture not seen with their own eyes makes people more frightened and call for cruelty. Therefore, the violence effect of hiding visual violence and directly attacking the psychology of the audience is beyond the intuitive visual violence of the previous films.

The transformation from visual violence to psychological violence is not only a strategy of Peter Jackson’s films, but also a sign of Peter Jackson’s maturity. Before the angel of sin, Peter Jackson was a freak with a sharp sword. Relying on his understanding of violence and his obsession with special effects, he broke into a world of blood. However, a simple visual Violence film can not flourish. A good video with only enough visual effects is far from enough. In order to achieve commercial success, it must be accepted by the mainstream audience. For Peter Jackson, the first is the expression of violence, and the psychological acceptance of the audience must be considered. “Angel of sin” can be regarded as Peter Jackson’s attempt to commercial mainstream films. The complete and rich plot structure, vivid and plump characters, and shocking violent fragments on the side have made Peter Jackson successful and praised without exception. This change has also strengthened the profundity of its video theme to a certain extent. The film won the Silver Lion Award at the Venice Film Festival.

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