Homesex movieHowaito rirî (2016) Movie Sex & Nudity

Howaito rirî (2016) Movie Sex & Nudity

The film itself is a reboot of a Japanese high-budget softcore series from the ’80s-’90s. As a result – the film contains a ton of nudity and sexuality mostly revolving around the two leading female characters. There are several heterosexual sex scenes as well.


Film review:Translated by www.rabudo-ru.com


The most “scary” part of the forbidden Lily (ホワイトリリー, 2016) is that the director Hideo Nakata clearly doesn’t know how to use the mirror to express women’s delicate ambiguous feelings, but he still pretends to be an expert. Therefore, the film either looks headache or laughs because of an inexplicable emergency.

The film begins with the first lesbian erotic play. The director thinks he is good at literature and art, but inadvertently “reveals his stuffing”: the poor and deliberate pure white set, the skin intimacy without aesthetic feeling, and the counter effect of licking the lily simile, which is more and more awkward. A female apprentice with a face with the words “bitter hatred” has forgiven the old female master who fell into the sea for many times. After the young brother stepped in the relationship between the two, it finally broke out. It turns out that the girl is also eager for the warmth of a strong man, and the “lily” under the lens of Hideo Nakata has long withered, Become a pure carnal entanglement between a bitter woman who needs to constantly use sex to bury her wounds and a poor girl bound by self righteous “love”.

In the end, the master-slave exchange symbolized by the breakup gun further shows that the so-called “love” between the two teachers and disciples is only a hypocritical and damaging relationship. The female apprentice delusionally wants to be a substitute for the master’s dead fiance. Her love for the master is out of high respect, but the master only considers it a victim to meet his own sexual needs. The female apprentice knew her status was low, but she still didn’t let go and forced her hard. The master delayed to make a statement. In the end, he used a man to teach the delusional and arrogant female apprentice. Here, Hideo Nakata exposed his lack of knowledge about female homosexuality (even “homophobia”).

At the end of the three person game, the AV pattern, the director arbitrarily describes women’s thoughts with men’s preferences, which is ridiculous. When the third woman who should have left turned back halfway with a knife and cried and committed suicide, I was sure that the screenwriter’s head had been kicked away by a donkey, and the director’s belittling of women’s ignorance was also perfect.

In a word, if the forbidden lily is regarded as a simple pornographic film, there is no problem. Hideo Nakata works hard to shoot men and women fighting each other, and enjoys the climax with the continuous moans. However, when it comes to paying tribute to Roman porno, This film should be the most unsatisfactory of the several works I have seen (wet women, provocative naked dance music and not pornographic films).

P. S. a supplement to the forbidden Lily: the fact that Hideo Nakata can’t write “lily” (men and women eat all, or he didn’t want to write at all) is in front of him. However, why do you say he is “homophobic”?

This should be interpreted from the relationship between the female master and the apprentice. The master was devastated by the accidental death of her husband, and the female apprentice couldn’t bear to see it, so she volunteered to accept everything from the master wholeheartedly. Since then, the root of the disaster has been buried. The master has fallen into the sea and engaged in promiscuous relations between men and women, hoping to use “sex” to heal the pain of her husband’s accidental death. The apprentice opened his eyes and closed his eyes. It’s enough to get the master’s attention and tenderness, but the young brother’s intervention made the unusual relationship between them surface.

The apprentice always plays a passive role in the masochistic sadistic relationship. What she gets from the master’s “torture” again and again is the comfort of the guilt hidden in her heart. The source of emotion is the sincere care and perseverance of the former mentor (when the family is happy). The apprentice has been distressed that she can’t repay the master’s great kindness.

Therefore, one willing to fight and the other willing to suffer, the apprentice and the master have a common goal in this abnormal relationship: escapism. The “abused” disciples indulge in self comfort and choose to suppress their nature of liking men. The master indulges in the “abusive” behavior of harming others and himself, and lacks the courage to face the cruel reality.

This is similar to domestic violence (DV) caused by disharmonious heterosexual marriage. Most of the time, the wife plays the abused party and is violently beaten by an irrational husband. Although full of scars, the wife is always reluctant to part company with her husband because they think a successful family is extremely important (unwilling to admit that the original choice was wrong), and even comfort themselves. Small pain is not unacceptable, not to mention that the husband will never treat himself like this in normal times. It can be seen that domestic violence occurs from time to time, but it has not been effectively curbed. In addition to the pressure exerted by the husband, the repeated unconditional forgiveness and tolerance of the wife (the abused party) is one of the important reasons.

Back in the film, assuming that the “lily” between teachers and apprentices does exist, then this so-called “love” performance is feared and avoided by us. One side keeps asking for harm, and the other side is asked and offered almost obliterating the “self”, which is rare in the heterosexual environment, What’s more, even Hideo Nakata himself has never had any experience in gay love? What’s more, this chilling abnormal love was so strongly put into the context of lesbian by the director, which shows how much his subconscious fear of “lily” is.

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