A man and a woman kiss.


A woman retells a story of a woman having many men in her life. It is just briefly mentioned, nothing more.


A man explains how a love scene should be. Nothing explicit, just that it should be the little things that can show two characters in love.
Not Rated, but would probably be:
PG-13-Thematic Elements
Dixon has three topless nude female statues in his apartment and around the apartment complex.

A man states that the crime was “not a sex crime.”


Film review:Translated by www.rabudo-ru.com


Nicholas Ray’s bloody orchid boudoir (also known as desperate situation) and black-and-white films in the 1950s are the best films I have seen recently. It once again confirms a simple truth. No matter whether there are more advanced technical means or not, good films do not need to rely on gorgeous forms.

“Bloody orchid girl” tells a simple story: playwright Steele becomes a suspect in a murder case, and his female neighbor Grey’s testimony clears him of suspicion. The two met and attracted each other to become lovers. But because the real murderer could not be found, grey began to be suspicious, so a relationship came to an end on the eve of sublimation

This is a simple film, and its good is based on it. At the beginning of the story, the director made it clear that Steyr was not the real murderer. Later, the plot focused on the development of the relationship between the two people, but the plot kept suggesting the final low end of the relationship. Therefore, it may be the only commercial element in the film: suspense, which disappeared in the middle of the story. So all forms become floating clouds. What we turn to focus on is what the editor and director emphasizes: the turning of details, the accumulation of characters’ emotional power from weak to strong, and external forces.

This is a very interesting and contradictory approach: first, explain that Steele is not the real murderer, and then find a suitable entry point in the love story occupies most of the narrative time, lay doubts and point the spearhead at Steele. These doubts should enter quietly, and the accumulated strength must not destroy the initial innocence setting, but also have effective destructive power, In this way, the ending between lovers will not be abrupt. At the same time, the creator must also take into account another structural problem. If all these details are written into the story line of the development of their relationship, the plot will become bloated and the rhythm will be out of control.

The solution is simple. At the beginning of the story, three story clues were clearly divided: first, Steele took over the work of adapting a novel to create a movie script with suspense murder as the selling point; The second is the detection of murder; The third is the love between male and female protagonists. In this way, all doubts can enter the story evenly and orderly. Even before the three story lines begin, the foreshadowing has been arranged into the story. In the first scene, Steele was suddenly provoked and hit people, which laid the first foreshadowing for the violent tendency in his character.

According to these three different clues, the foreshadowing is cleverly attached to it. Grey’s distrust of Steele mainly comes from two directions: first, direct experience, in-depth understanding of Steele in communication; Second, the indirect influence of external forces, such as the misjudgment of detectives and the suspicion of friends; When these two forces are combined, wrong cognition begins to be deeply rooted and lingering. With the development of emotion, the tendency of violence in Steele’s character becomes more and more clear; In communicating with friends, as a playwright, his professional understanding of criminal psychology and behavior brings unwarranted suspicion; The murder case can’t be solved for a long time. The stubborn Sheriff always believes that the real murderer is Steele. All these have a profound impact on Grey’s inner world.

In order to maximize the effect of indistinguishable between true and false under the setting of innocence, there are also some thoughts on stile’s character setting. His detective friends and agents are his firm trustors; The sheriff is a firm skeptic; The friend’s wife and grey are among them, and gradually close to the latter. The design of the whole character relationship network is almost balanced, and the two forces of opposition and conflict always remain in an uncertain equilibrium. The reversal of emotional value at the end of the second act becomes more strengthened and powerful, and directly pushes the story to the climax of the third act.

The story enters the third behind the scenes, all the bedding has been completed, the climax is in the critical state before the concentrated outbreak, and the most exciting scene of the whole film finally comes. At the end of the second act, the real murderer has been identified. The police are trying to inform Steele and grey, but they can’t be contacted. At this time, Steele broke out briefly in the bar because of the script. When he recovered his calm, he left with grey. When the police called, they couldn’t find two people. At Grey’s residence, Steele sincerely apologized to grey, as if everything had disappeared. However, some of Grey’s strange behaviors once again aroused Steele’s suspicion, and the mood began to ferment. At that time, the phone suddenly rang… At this time, we have determined that Steele is innocent. We expect that the relationship between the two will not end because of misunderstanding. We expect the two to clear up their differences. We are waiting for a phone call… It’s the phone of the airline, Her flight was cancelled. So grey’s idea of leaving was exposed, and Steele completely lost control. In his rage, he grabbed Grey’s neck, and he wanted to kill grey who betrayed himself… Grey couldn’t get rid of it with all his strength. It seemed that everything was going in a bad direction, and the phone rang again… It seemed that there was another soul chasing bell, and grey faced… Steele picked up the phone, It was the police call. The sheriff wanted to apologize to grey… Put down the phone, Steele was completely awake, so he handed it to grey. I really want to know, can these two people go back to the beginning? Just two phone calls successfully created two turning points and reversed the plot again and again at the climax of the story. It’s really a stroke of genius.

As an atypical suspense film winning by rhythm, Nicholas Ray’s control of the overall situation and Bogart’s interpretation of the characters are the two keys to the success of the film. In particular, Bao Jia’s introverted performance is very hierarchical. It fits in with the rhythm, progress and speed of the film, and can be retracted and played freely. Whether it’s improvisation or accumulation, Bao Jia can perform with ease, and is worthy of being the number one actor in Hollywood in the 20th century. In the introduction, I saw a sentence saying that this film is one of the best films criticizing the current disadvantages. I feel a little confused. Even if the film is related to things like the “Hollywood ten gentlemen incident” or the “McCarthy incident”, the director’s original intention is to focus on this matter, but it still has some practical significance in 1950. Today, in the 21st century, it can’t keep pace with the times. If a good film has a critical theme, it is the same at all times and in all countries, that is, human nature.

How can such a film lack such scenes? In the bar or hall, three or four people sit quietly and listen. In the middle of the venue, there is always a middle-aged man or woman playing the piano, singing and singing

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