No graphic female nudity, just some breast. Only graphic male nudity.
The film’s characters have graphic descriptions of sex.


Extreme male nudity at pornography level with very little mild female nudity
On the scene where they are conversing laying on the bed after sex the male’s penis is shown, the female is covered by the sheet


This film’s sexual content is very strong, with graphic nudity of both male and female, and there are many sequences of strong sexuality including masturbation, oral sex and sexual intercourse. There is also an attempted rape, but its stopped before intercourse starts. There is also sexual dialogue in this film.
The most explicit scene involves a woman giving a man oral sex; the penis can be seen fully erect and the woman sucking it, with the penis shown completely in her mouth. The scene is darkly lit, but the woman’s mouth sucking the penis is shown in extreme close-up as she holds the penis move it in and out of her mouth with part of the head and shaft clearly visible.


Two characters have a conversation, in bed, after sex completely naked. Both male and female genitals are shown.
A man performs oral sex on a woman who is lying on her stomach in bed.
A woman masturbates in bed.
Meg Ryan shows her breasts numerous times throughout the movie


Film review:Translated by www.rabudo-ru.com


the still waters of the water under a frond of star
the still waters of your mouth under a thicket of kisses

Female, moist, closed, vagina, obscure, sensitive to skin and light.

When it comes to nude cutting, the female characteristics of Campion’s films are fully mature from image to narration.

At first, it was like Sally Potter. The light and lens touched the texture of women’s skin, water, snow or petals falling from the sky… Female directors’ attention to women began to go deep into their hearts from the perspective and movement of the camera, lazy and sad.

But Campion is not a girl. Sex, violence, suspense, blood and death constitute the erotic landscape of mature women. If Sally Potter’s “crying man” and Campion’s “piano class” and “Lady nature” are still looking for a destination and completing a redeeming ending, what naked cutting wants is the truth. In the bizarre urban forest, in the temptation to distinguish between lust and love, in the simultaneous existence of empathy and betrayal and deception between the same sex, look for a minimum fact. The answer makes you despair and there are countless possibilities of surprises at the same time.

midway along the journey of our life, i woke to find myself in a dark wood. for i had wanderd off from the straight path.

Women’s cognition of the world is the cognition of men. This does not seem to be a feminist position. Fundamentally, however, women need men’s awakening. Sleeping body, numb nerves, self closure… However, the existence of the maze is at the moment of awakening, and the subtlety of the maze lies in the distance, intimacy and strangeness of the human heart, and the hesitation between the body and the soul is enough to make anyone crazy. What’s more, there is murder, which extends the relationship between men and women to social relations. Murder is a public topic, which is related to newspapers and Street police in broad daylight. But it’s secretive and premeditated for a long time, and it’s exactly the same as sex and love.

So what women need to deal with is the landscape of a modern world. And she’s alone. Those things that warm her and attract her also make her face a great enemy. Nude cutting is a film of Female Heroism and Joan of arc in another sense, but she is a physical rather than a symbolic woman. She competes with the world with her body and senses rather than moral reason.

Words also become a maze here. Just like the confused lights of the city and the roaring of the subway in the middle of the night, the words in the subway are obscure and can contain all the meanings. The power of words and the power of images meet here, flirting vaguely.

now thinking back course of my passion, i was like one blind,unafraid of the dark.

The day after Franny and the police finished their love, she kept crying. Her body is happy, but she wants more.

Does she believe in the fairy tale that her mother and father fell in love in half an hour? Why did she dream that her father cut off her mother’s neck with skates? She found her bracelet in the police pocket. There are two possibilities, one is her mother’s fairy tale, the other is her dream. She believed the latter without thinking, because although her soul wanted more, her reason had no hope at all.

If we have no hope, why do we want more?

The only detail with temperature in the film is the bracelet, because the police helped Franny find it on the way home that day and kept it in their pocket all the time. This man may have countless women. Franny’s mother divorced her father later. The end of nude cutting is no longer the destination of women, but the moment. When the snowflakes fall, the man gently thinks of your second, time freeze. Is this the growth or retreat of women?

Domestic female directors have also begun to make suspense films. Female directors are full of Yin. They can always play their power of closure, secrecy and detail here. The place where most suspense plots are finally released has become ethics, or greed, anger and infatuation, but what Campion does is the distance between people’s hearts. The relationship between murder and love has been developed again here after Hitchcock – the best love is the same as murder, and the best murder is like love.

No matter how others comment, I always love Campion. I wish my ambiguity and hesitation are suitable for commenting on the film.

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