Some bullies force a girl and a boy to kiss in class by holding their heads and pressing them together, not very sexual and is done fast.
Some kissing scenes, however, you can not really see them kissing, you only see a boy getting close to a girl to kiss her.
In the beginning of the movie, the teacher states that she confiscated the CDs of a student. You can see that the cover of the CD is a sexy girl, however not naked, she is wearing a bikini and it is a very fast scene.


Film review:Translated by www.rabudo-ru.com


Confession is a work of reasoning with conscience. The murderer is absurd, but it has social causes. The Avenger is cold, but it is intended to warn the world. There are not many characters in the story, but the pattern is large. There are a lot of paragraphs and angles, but the narrative efficiency is very high. Compared with many stories that emphasize the ingenious techniques of murder, this is a good story that really focuses on reality and is unconventional. From the clergy to the preacher, Moriguchi never simply understood kindness. In her ice desolate heart, the world is like the classroom in the film, which is suffused with dark blue lead. So in this small world as familiar as the blackboard, she began to tell the truth.

Among all the posters of the advertisement, the best version is the Hong Kong version. The most prominent elements are Matsumoto’s big face, the three-level logo in the lower right corner, and the amazing introduction right below: “junior high school students kill 4-year-old children recklessly, and female teachers poison their classrooms for revenge.” After I saw this poster in October, I immediately bought a novel to read. After watching the film, it can be said that Nakajima has made his most mature work with very detailed adaptation.

Personally, I think the original novel of confession is much more popular than the dedication of suspect X. The point is not that it is a reasoning novel, but that it chooses this all first person extreme genre and the author’s strong control between sensibility and rationality. In the book, you can clearly see the results of everyone looking at the problem from their own point of view through everyone’s first person confession. This is the strongest true interview record without lies.

What’s the problem with the campus? The campus described by Chua Jiamiao is not a living sacrifice hell, but more like an embarrassing distribution center where everyone goes to the wrong door. Everyone tries their best to communicate in order to get rid of the infinite sense of embarrassment and loneliness. This is the horror of the essence of the campus.

Nakajima is also the best director of the visual department in contemporary Japan. Such a perverse picture style of “the story of my wife” and “the life of Matsuko hated by others” has been expressed smoothly and reasonably. In the film version of advertisement, great efforts have been made to reduce the use of color, emphasize the contrast between light and darkness, and narrate carefully. It can be called Nakajima’s most convergent film in all aspects so far.

The most difficult thing to adapt the advertisement is that the novel uses the first person and the narration is compact. This real power attracts readers to read it. Ordinary copying is not impossible, but it can’t reproduce this one-way narration. It’s easy to change it into a particularly stuffy horror film. Nakajima’s method is to operate with vision. It does not rule out that some external atmosphere plays (such as the bullying play on the roof at the beginning) are very technical and have a large number of shots. The focus of the advertisement can be clearly seen in each paragraph, but the amount of information is just right to meet the need to eat at the first time.

On the other hand, the greatest advantage of the novel is to bring the campus problems out of the campus. It does not judge simply and rudely based on the contradictions between students and teachers or the education system, but directly face the complex personal situation. This has become the guiding ideology of the whole film, and it has done well. The director only used some highly visual scenes to express the atmosphere of the campus itself, while others paid attention to the complete performance of the plot, which is a good habit of Nakajima.

On the whole, the film can be called the best suspense film in 2010. It can also be regarded as the representative work of the rise of mainstream Japanese films in recent years. It is worth going to the Oscar to show off. However, if you like this film, the author wants to make some comparison between you and the novel to let you know a complete confession. However, if you intend to read the novel directly, please be sure to ignore the following content.

Chapter one: clergy.

one In order to catch the rhythm of the previous article quickly, the film version removed some details of Mr. morikou’s confession in the original book. These details are wonderful. For example, the lunar incident is not only to serve the appearance of girl C in the back, but also to lead to the weak situation of teachers; When it comes to the fact that same-sex teachers can pick up same-sex students, it is to illustrate the irresponsible behavior of juvenile B.

two If the following text starts to analyze everyone’s responsibility and position in the failure of education, the first chapter is very important, not only to lead to events, but also to carve a whole page of question marks aiming at all goals of parents, media, teachers and society, which is very effective for understanding some details of the following text;

Chapter II: Martyrs

one The second chapter is about Beiyuan Meiyue, commonly known as girl C. The description of her in the film version is not as rich in detail as in the novel, but the focus is prominent. This section is more visual, colorful, and some small and fresh chapters are also suitable for showing the inner world that the beautiful moon in some novels can’t see.

two In the book, we can see the letter written by Meiyue to the teacher completely, because Meiyue didn’t meet with Mr. Senkou in the book. We can even guess that Mr. Senkou finally read the letter in some way.

three About poisonous blood, Meiyue, who knew chemistry, immediately took their milk boxes after class and took them home to test with test paper. The results showed that there was no plasma component. So Meiyue immediately said that she knew xiuzai was not ill.

four The very important details mentioned by Meiyue in her letter are about Mr. Witt. We can see that Meiyue also compares the class leadership style of Mr. Senkou and Mr. Witt. These details reflect Mr. Witt’s immaturity and love performance. Importantly, it can be seen here that Meiyue’s accusation against Witt in front of the Teaching Committee is completely sincere. The film version is easy to give people some misunderstandings. It seems that xiuzai inspired it.

five Meiyue calls young B Zhishu Xiaozhi, and she is not as reluctant to go to Zhishu’s house every time as in the movie. In fact, I can’t bear it. Since primary school, only Zhishu has not called her meidan but Meiyue, so “this is the only reason to like him” and “this is probably the first love”. Meiyue likes straight trees.

six The second chapter also mentioned that Zhishu’s second sister asked Zhishu why he killed his mother. He said he wanted to be caught by the police. This is Naoki’s lie. In fact, he was killed by mistake.

Chapter three: loving ones

one The main content of the third chapter is the diary of young B Zhishu’s mother. The diary she has been writing in the film is written in the film. It is no exaggeration to say that this should be the most shocking chapter for many readers who have just become parents. It is most necessary to read the original.

two Mother thought about Naoki’s behavior repeatedly in her diary. She was very emotional. She always thought that her son was kind and her thought was not dirty. Children in Eastern countries are more bound by their parents, so “children are always their own good”. Everyone knows this is prejudice. This chapter shows us how difficult it is to correct this prejudice.

three Naoki’s mother also solemnly analyzed the squatting at home and the nit nationality, and believed that these were due to family education rather than school. The conclusion was that “of course, Naoki does not belong to squatting at home”. A tangled and sad mother.

four One of the sharpest views of Naoki’s mother is that how can single mothers teach middle school students who are in a sensitive and vulnerable period?

five In the end, the mother decided to die with her son out of a strong sense of guilt after discovering the truth. But it can also be said that it is a sense of shame – the son did not become the person he wanted, which is a “failed work”. In the end, the mother still failed to teach her son the meaning of responsibility.

six Another hidden role in this chapter is Naoki’s father, who is very busy in Naoki’s mother’s mouth. How busy is he? Children don’t show up at all. Therefore, Naoki’s mother hates single mothers, also because in fact, her own situation is very close. And she used almost abnormal strong love to love those who did not treat themselves well as her own protection. Still sad.

Chapter four: those who seek Tao

one The fourth chapter is the diary of boy B Zhishu, which is completely presented in this film. The appearance of the little actor is also very suitable for the straight tree called “kind” by his mother in the original work.

two What is more interesting is the video that Naoki watched at xiuzai’s house. The film is a concert of girl idols, and the book is a cut film in which women shoot zombies with machine guns. Later, straight trees had long hair, resulting in the illusion that “the source of life is not the heart, but the hair”. Then his mother cut his hair short, and Zhishu was unusually afraid. I even shaved my hair with an electric pusher. It’s strange that I haven’t died after shaving my hair. Think of the zombie film seen in the video. Oh, I’m a zombie. These descriptions are very accurate in criticizing the film, but as a filmmaker, Nakajima may not accept it.

Chapter 5: believers

one The fifth chapter is the “suicide note” of young a xiuzai. Because the novel has no other way to supplement xiuzai’s behavior, there are many details in this paragraph. Some have broken through the first person principle, and some are actually better in the film version.

two Xiuya saw morikou’s daughter face to face for the first time at the crime scene. She felt a little jealous. This reminds us that this may be the subconscious reason why he chose this goal.

three Xiuzai’s plot about Meiyue is the most chilling. Compared with the movie version that uses “boring to kill time” to define their relationship, the novel describes the childishness of their feelings. In addition to being childish, xiuzai also measures his relationship with others with a guilty heart, which is even more frightening.

four Xiuzai went to see his mother, which was almost the prelude to the climax of installing the bomb. In the book, xiuzai explained in his suicide note that he didn’t see his mother, and it was a shameful truth. The film is very clever. It completely describes this paragraph in xiuzai’s complacent tone, and lets xiuzai package himself as a very rational and charming criminal eager to see his mother. Then in the next part, through Mr. morikou’s mouth, he exposed xiuzai’s lies and completely tore up xiuzai’s sense of inferiority and the shame of being ignored by his mother.

Chapter 6: preachers

one The sixth chapter is the phone call from Mr. morikou to Xiuya. There are some differences between this paragraph in the book and the film, which can be understood as the essential difference. In the film, Mr. morikou called near the school. In the book, Mr. morikou called near the scene of the explosion.

two At the end of the book, the teacher asked on the phone, “don’t you think this is the real revenge and a new step in your new life?” Senkou’s cruelty is shocking, and revenge is simply in place.

The film adds two very important scenes, both for the climax of the play. One is “the broken sound of important things” and the other is “joking”. The previous play became the climax of the content on the phone. Finally, teacher morikou appeared at school and used the end of the original work. She patted Xiuya on the shoulder, changed her position and said: This is the first step in your new life. The “joke” said after the picture is blacked out completely overthrows all previous statements. Sure enough, Senkou’s Revenge still prevailed.

three In addition, the very important difference is that teacher morikou in the book is very determined to revenge. The teacher in the book only has two scenes at the beginning and end, while the film increases the scenes of her dialogue with Meiyue and breaking down and crying in the street, in order to weaken morikou’s image as an avenger. Mori in the book even said such misleading words as “I want to do it myself, but I can’t achieve the effect”.

four With regard to poisonous blood, teacher morikou in the book did inject plasma at the beginning, but was found by teacher Yinggong. The teacher changed milk for morikou, resulting in no blood in it, rather than being found by teacher Yinggong during blood drawing in the movie version, so there was no injection plan in fact. Whether the facts happen or not is related to the positive degree of visual understanding of morikou. The handling of the film version is slightly softer, and the overthrow at the end is more powerful.

From the performance of the last chapter, I personally think the film version has better completed the task of alerting the world. After all, this is the most valuable spirit of the original. Literature is experienced in chewing words, and the film needs more transparent expression to convey.

Supplement: zanmou J. 624’s point of view (please see her comments downstairs), we can think that the film version makes a difference from the novel by dealing with the characters, especially morikou and Meiyue. Let the goal of the film rise to a more universal perspective on the contradiction of human nature.

Supplement: according to the instruction of via valachia night from stage 1st, it generally means “I’m talking nonsense in front of me”. Therefore, there is a completely different understanding of the ending of the film version, which has been revised.

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