Standing woman and man exchange very tender kisses. They are next seen nude in bed covered embracing with man asleep on her chest. Sex is implied. No explicit nudity.
There is a one-second view of a baby exiting the birth canal at the very beginning of the film.


There are 15 very quick shots of different couples experiencing orgasm from sex. The breasts and torso of a woman arching her back are visible in one shot. The whole scene lasts for roughly seven seconds. Montage includes bare breasts, bare-chested man, rear-entry sex, cunnilingus, sex scene and male full rear nudity.


A man and woman are briefly shown having sex; the woman lies on her back motionless and the man moves rhythmically on top of her.
Several scenes take place in an adult video store: we briefly see bare-breasted women on video/magazine covers, as well as dildos etc. In one scene, a woman with a small costume on dances suggestively; she later removes her top and continues. Bare breasts are seen.
A man and woman embrace passionately before they have sex offscreen (we briefly see their silhouette). Sexual sounds are heard for several seconds, the woman screams briefly during orgasm. Rhythmic pounding on a wall and door is also heard. No nudity.
A nude pregnant woman is shown, from the shoulders to the hips, and we see her stomach grow in a fast-frame sequence. Explicit nudity includes bare breasts.
A girl unintentionally calls a porn store, the man on the other end asks if she is shaved and says fur pie doesn’t sell well.


Film review:Translated by www.rabudo-ru.com


I can tell which face is the loneliest in the photos without hesitation from the busy crowd.

That must be the most humble face. It occupies the smallest area and hides the deepest in the shadow. A face that will not be cared about or easily found.

I can also describe the story behind anyone sitting face to face on the bus.

Most of them looked out of the window without saying a word, at the tall buildings and passers-by who retreated behind them. That is the most silent posture, no space, no expression.

But they must have a story. The story is hidden behind everyone.

In such a story, there are always some tears flowing in it, as well as lonely laughter, such as the lonely landlady, the glass man who wrapped the TV in his coat, the love bookkeeper who recorded others’ laughter, the frustrated writer who can always chant classic sentences, and the silly boy who collects photos torn by others.

In the crowded streets, some people always smile and some are full of sadness, but more people hide everywhere with peace and security in their hearts.

……

This is a film with a few meters of scenery, such as the open subway and the bustling amusement park; This is a movie with Hitchcock’s bridge section, such as the camera and telescope in the glass man’s back window. This is a movie with Wong Kar Wai’s style. You can watch Faye Wong sneak into Tony Leung’s room and quietly change his life. Similarly, Emily, the maid in the cafe, has a key for the owner of the vegetable shop, Spoofing his every nerve.

Although it has so many pure colors and accordion melody, it is an Andersen’s, Green’s and children’s film.

Emily, a child who can bring back the memories of 50 years ago for the lonely old man, a child who can mail Santa Claus to any corner of the world, a child who uses language to describe the beautiful world for the blind uncle crossing the road, a girl who sends the lovesickness letter of 40 years ago for the lonely landlady, and a child who draws a blue arrow in the park, Let lovers not catch up with their children.

In her camera, the clouds can become any shape she wants, and the people who tricked her, ha ha, that’s terrible.

In her TV, her lines can become any dialogue she wants, and she will do her best to help people in need.

The glass man has been painting Renault A’s “luncheon on the ship” for 20 years. He said that the most difficult thing for him to figure out was the most insignificant and insignificant woman in the picture.

It was Emily who changed everyone’s life.

In fact, she is not an angel, she is just an ordinary child.

We were once a child, ordinary children. But our commonness is doomed that we can only make children’s stories a secret. Even if we have had so many bright fantasies, we have to surrender to reality. In the real world, there are no wings to fly with us, and there is no magic to let us ride the wind and waves, so we can only choose another life, an adult life, a life to bid farewell to daydreams, ordinary life, old age and death, no longer believe that there are really miracles in the world, and never easily express goodwill to strangers.

We were all children, and we grew up with full expectations. We thought that the dreams we had dreamed would come true. We thought that when we first appeared, it would be a blockbuster and thunderous applause. Who knows we can’t do martial arts without Qingming sword. So the impulse to move forward, each time in exchange for only a few, no one applauded the end.

Until one night, I listened to the song Luo Dayou humming “future master” on the radio.

“You walk through tall buildings, through crowded people, and look at a modern city with mercury lights,

Suddenly I think of the distant past and unrealized dreams. Once people told you that you are the master of the future… ”

Just know that in this world, no one cares about what you want to do or what you have done.

We used to be children. We all believed a lie. But when we grow up, we find that life is just an amusement park. Only those who have not entered will be full of surprise. When you have taken a roller coaster, a merry go round, a Ferris wheel and a bumper car, you will find that everything is just the same. No matter how you choose, thousands of people have taken it, You are the only one who thinks you are brave.

We were once a child and grew up carefree in the years. But one day, we are tired of this role, so we tell ourselves in the mirror that you are no longer a child, and then we devote ourselves to the ocean outside. From then on, say goodbye to snow white and Mickey Mouse, gourd brothers and Smurfs, transformers and monkey king. Since then, I have confined my eyes and wandered around the world, becoming myself who is no longer the past.

Therefore, watching the TV series, the love of vows of alliance and sea also lingered in the midnight dream, but when I got up early in the morning, it was thrown out of the sky. I thought this was the truth of life, but I never thought we lost something. Lost the memories of childhood, lost the expected travel, lost the light we had in the past, lost the love we once firmly believed in.

We were once a child. We betrayed our children’s life and became more and more cowardly in the adult world. We even had to choose to wear cold armor. Because we don’t want to gain and don’t give, because we don’t expect miracles and don’t work hard, we don’t easily pay, move and pay piety.

We didn’t know until the end that only others can find what we lost.

A happy thing is the child who eats strawberries on his fingers and puts his hand into the rice bag, and the child who always holds floating stones in his pocket.

Stubborn children who refuse to grow up, naive but smart children, naughty and lovely children.

At the end of the film, Emily and her beloved boy gallop away on the motorcycle.

The ending movement gently beats a beautiful melody on my eardrum.

The past can only reappear and will not come back.

A stream of heat surged up in my heart and hit my nose with acid. I tried to close my eyes and close my nose. I can’t stop them from crashing into the eyes through the nose, blurring my eyes, my sight, and condensing into tears outside the retina.

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