Homesex movieMi-in-do (2008) Movie Sex & Nudity

Mi-in-do (2008) Movie Sex & Nudity

A man and a woman are having sex in various positions. Her breasts are fully visible.
Main theme of movie is a girl cross dressing as a boy.
A couple are making love in a warehouse. The scene is very graphic and sensual with both female and male nudity. It lasts for several minutes.
Several married women are caught having sex with monks in a temple by guards.
Main character is a painter and paints picture of nude people in intimate positions.
In a brothel prostitutes are doing intimate action infront of an audience and someone is painting them

A girl dressed as a man and a man get wet. Her breasts are visible through her dress and man finds out her true gender.
A girl dressed as a boy and a female prostitute kiss passionately.
A man rapes his pupil very roughly.


Film review:Translated by www.rabudo-ru.com


Shen Runfu (1758-early 19th century), whose ancestral home is Gaoling, has the word Lifu and the name of Huiyuan. Together with Jin Hongdao and Jin Dechen, he is known as the three major genre painters in North Korea. He is not only good at genre painting, but also good at landscape painting and feather painting of Nanzong style. It is said that he was expelled from the painting department because he loved popular paintings. His father Shen Hanliang and grandfather were painters, but it is impossible to find out whether he himself was a painter. His genre paintings are obviously different from Jin Hongdao’s genre paintings in material selection, picture composition and character expression methods. Jin Hongdao mainly shows the simple and funny scenes of civilian life, while Shen Runfu mainly paints the spring between men and women. In the film, Shen Runfu said that he painted vulgar paintings between men and women because “this is a purely natural person who can’t stand the temptation because he likes it. I think it’s fragile and beautiful.” it’s a passion that drifts away from the edge of rationality and sensibility and replaces the shackles of ethics with primitive impulses. The last picture of beauty floating on the water “let me use my pen to repose the infinite feelings hidden under my thin clothes”. Not only because of the composition like landscape painting, Shen Runfu, who was baptized by personality, put the beauty picture with his own memories into the water in a small boat, so that the picture floated away with his own mood. Make the film point again. Eroticism is only a means. The infinite emotion related to eroticism is the motif of this film.

The romantic moon has nothing to do with love. It’s all sexual mischief.

The so-called eroticism: in the dream of Red Mansions, when Jia Baoyu toured the police fantasy Wonderland, a fairy told Baoyu that “since ancient times, it has been covered up by lust and non eroticism, so I love you because you are the first erotic person in the world”, Baoyu was very surprised, and then refuted, The fairy went on to say, “the word adultery has two meanings. Just like the frivolous prodigal son in the world, he wants to use the beauties in the world. This is excessive adultery. Second, you take beauties as good friends, respect them, love them, and never insult them. We call it ‘adultery’.”. In fact, there is no way to verify whether the real Shen Runfu is male or female. It is this uncertainty of gender identity that makes the story about him interesting. Because it gives us room for lust. Lust is something that almost everyone does. The stories of Liang Shanbo and Zhu Yingtai travel in different time and space. A good friend who jumped up and down together suddenly became a petite and exquisite beauty. It may be that androgyny is the ultimate goal of human sexual fantasy. It has a common pursuit in physiology and psychology, but when there are other needs, it can be produced and sold by itself, completely eliminating a series of cumbersome ambiguous procedures, and there is no need to process and open bags to eat. The handsome little boy with delicate powder noodles saved the rude boy with his painting. In order to repay his kindness, Jiang Wu took Shen Runfu, who had not yet revealed his identity, to paint everywhere to complete the homework assigned by the teacher. Therefore, there is a reasonable reason why two strangers must stay together after they occasionally cross. This is in line with the tradition of marriage before love in Korean series, which makes the story both accidental and inevitable. Then, teenagers with developed hormones are always dishonest and take reserved handsome boys to see beautiful women take a bath (of course, this is also to meet the actual needs of History). This kind of scene generally has two results. The handsome boy who is already in love with spring immediately blushes and blushes with red neck when he sees this scene, so that the reckless hormone youth can find the clue, and then follow the trend… (omit 200 words here); There is also a situation described in the film. The handsome boy is deeply unmoved by Liu Xiahui’s true biography and focuses on his work (it’s really nothing to look at. It’s better to go home and see himself). However, the identity of the little handsome man will be exposed after all, either by the hormone youth or by others. According to the Convention, the explosion usually occurs immediately after the two people watch the human body structure map. Therefore, the little handsome man accidentally fell into the water, and the beautiful woman’s wet body certainly showed her original appearance. At this time, women’s breasts can always enlighten silly boys in an instant. Since then, the relationship between the two has changed. Jiang Wu has looked at Shen Runfu from the perspective of looking at women, and Shen Runfu has slowly dug out his female consciousness hidden for many years.

The relationship between Hui Yuan and Jiang Wu is not so much the erotic focus of the play as the relationship between her and her master Jin Hongdao is what the film wants to say. When the beauty was in Lori’s period, the evil uncle taught her to learn painting, which eventually led to her brother’s incompetence and death. To be exact, uncle has a very important direct reason for his brother’s death, but little Lori has a cursed background. In Greek mythology, there are a lot of beautiful women like Pandora, but being cursed is the charm of Pandora. The focus of this sentence is not on beauty, but on water. So for another evil reason, the father placed the cursed daughter next to Jin Hongdao. “Since ancient times, teachers have died in the hands of students”. For this reason, Shen Runfu came to Jin Hongdao to learn painting, but they were old acquaintances at first sight. It can’t be said that this reincarnation is intentional by uncle. It can only be said that it is destiny. Uncle is very clear about Shen Runfu’s purpose to study, but has he ever worried? The answer is very clear. He doesn’t care about the form of one mountain containing two tigers. Watching Shen Runfu’s works become more and more vivid, he only said four words to his own teacher, “I’m very excited”. It’s not love or love. It’s the pity of a talented person for another talented person. He enlightened her and watched her grow up. He knew that the teacher would eventually die in the hands of the students. But he was silent about her purpose because he was moved. He said he only knew painting until he met her. She said that if he only knew painting, everything between them would not happen. “Heart” opened the door to their tragic fate. Jin Hongdao is moved by Huiyuan, and Huiyuan is moved by the human feelings touched. They are all people who can’t stand temptation. One can only resist it and the other has the courage to change themselves. He finally persuaded Jiang Wu to leave Shen Runfu, not for his own selfishness. He knew that the love between men and women could not last. No matter how sincere he was, he would change his mind one day. What he wanted to keep was Shen Runfu’s beautiful state of mind no matter what he looked at. “I ruined the world. No matter how ugly it is, it looks beautiful to her. I ruined the innocence of treating the rich and the poor equally. How long can it be in my life? I’m not afraid of death, but I’m really upset that I can’t protect the beauty.” What he wants to keep is the pure state of mind of a girl, but Shen Runfu’s desire to escape is indeed this kind of aristocratic interest without waves and indifference. He wanted to give Jiang Wu an antidote, but the timing was wrong. Jiang Wu died in Shen Runfu’s arms because of him. At that time, he realized that he could not hold her, nor could he hold his heart that he wanted to liberate.

About the self-expression of love: the scene that makes me distinguish the beauty picture from other erotic films is the part of Huiyuan painting orchids. After Jiang Wu discovered Huiyuan’s identity, he always maintained a gentleman’s relationship with her. However, from Huiyuan’s paintings, he also saw the changes of Huiyuan. He began to break away from the elegant and pure high-grade taste of court painters and began to sprout his own aesthetic taste. What really pierced this layer of window paper was Jiang Wu who took Shen Runfu to the warehouse filled with exotic treasures brought back by the boss from foreign countries (basically Chinese). At this time, Huiyuan was the first time to break away from the shackles of men’s clothes and return to her authenticity as a woman, which was the first release of self-consciousness. Huiyuan painted orchids on Jiang Wu’s back, and then printed and dyed them on his chest. Finally, the two naked hugged each other. Huiyuan personally erased the orchids she painted on Jiang Wu’s back. Gentleman temperament is like orchid. Hui is originally a kind of orchid. The orchid on Jiang Wu’s back is the elegant taste of Huiyuan’s own palace paintings. She painted herself on her lover’s back and printed it on her chest. The white pigeon released from the cage is a metaphor for returning to itself. It can fly out of the cage and flutter twice, but it can’t leave the narrow room. I regard this as a helpless expression that Shen Runfu wants to be free, but is bound by the tragedy of fate. As if everything had set a good ending from the beginning, whatever you want to change can only be an irrelevant play. The college examination title of the palace painting office is “extremely beautiful”. What students write is nothing more than the stereotype of plum orchid, chrysanthemum and bamboo. The picture crosses the vacant seat and Jin Hongdao’s meaningful face. After the scene of an account of the incident, the painting of a woman having an affair painted by Huiyuan was followed. As Huiyuan herself said, she felt the heart of heart, love and temptation in the process of looking for human feelings. She felt that it was really beautiful, so she drew it unconsciously. The orchid is vague in her hand, which represents her determination to break away from the court interest and move closer to secular human feelings. Shen Runfu’s father led her to the seaside twice. One time, he took Xiao Runfu who changed his men’s clothes to sprinkle his brother’s ashes and set her goals and personality. It was a wedge of tragedy; The second time, after Shen Runfu’s personality changed, the old father reminded her of her mission again. This time, the follower’s personal memories of her dead brother did not calm her down, but made her further determined to express herself. She is destined to be a rebel. A woman enters the court symbolizing patriarchy as a painter who is responsible for publicizing Royal morality and social norms. This setting is a kind of rebellion. Like King Oedipus, when he solved the mystery of his life experience bit by bit and approached the truth step by step, death was getting closer and closer to him. But the film finally gave a positive ending. The woman conquered her own destiny. She sacrificed herself to save her teacher. From then on, Nirvana began her own life path, but she was tempted but timid and dared not face up to her teacher, but died of life. Jin Hongdao, who was expelled from the court, crawled to the ground. “Why do you want to do this to save my life?” Life is better than death. Shen Runfu changed back into women’s clothes and swayed between the blue waves.

Go back to your own history and identity, face up to the original expression of your heart, and insist that the most fragile and flexible emotions of human beings are placed on the tip of the pen and jump on the paper. This belief: until death, unswerving.

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