Boyfriend and girlfriend have a scene of implied sex in the bedroom. They go through a phase where she sleeps in a separate bedroom without them having any sexual relations. One night, he enters her bedroom and licks her lower legs, asking if she enjoyed this. When this doesn’t work, he lays on top of her, thrusts several times, masturbating on her, and leaves.
A man and woman try and arrange to have sex together. We see them undress and lie side-by-side on a bed but they are not really in the mood and don’t touch each other. Extended shots of both male and female full frontal nudity with pubic hair.


Film review:Translated by www.rabudo-ru.com


The film language of Jane Campion’s feature film debut is different from those of her famous works (angel at the same table with me has not been seen yet, but the stills may be similar to sweet sister), but it is also about women’s self-consciousness and introspection.

One scene of the film is about the thinking expression of “meditation”. Later, a line of the hero mentioned: “fantasy will eventually become a subconscious”. I don’t know if the director is shooting this film in this state. The plot is almost completely driven by the fixed camera. The director does not use the moving camera to mobilize the audience’s emotions, especially in the dialogue scene. The relevant characters are always in the same picture position, and the close-up of local paranoia of the characters gives people an abnormal viewing effect, which is a little depressed and awkward.

At the end of the film, the subtitle “to my sister” appears. I can’t imagine how much the love and sadness in this family come from the author himself or her “fantasy”.

LEAVE A REPLY

Please enter your comment!
Please enter your name here