A man forces a kiss on a teenage girl, knocks her down to the ground, then tries to rape her in front of cheering men, but is stopped by the preacher. Her dress is ripped but she was otherwise not violated.
A man is passionately kissed by woman. He tells her to close cabin door and casual sex is then implied to occur.
Megan makes a pass (in her words) to a man.


Film review:Translated by www.rabudo-ru.com


The coldness, restraint and order of Eastwood’s style, the echo arrangement of the first and last clues and the characterization from various perspectives are quite good. What is impressive is the 15-year-old girl Megan’s love for the priest. The film was made in 1985, when Eastwood was 55. This is a typical Oedipus love, a young girl’s lust at the beginning of love, with an admiration for the authority of her father’s generation and some slight motherkilling complex. The girl’s love is mentioned in the dark, exposed in the mountains and forests, and then it should wait for its withering. Oedipus’s lust for love is revenge for aggression. She resents him for his refusal. The priest on a white horse brought hope and death. The stagnant water before his arrival was re injected into faith. Barrett’s speech by the campfire had the legacy of free speech in the colonial period of New England, “we come here not to make money, but to live. We work hard because our home is here. And if we leave our home now for a thousand dollars, how much will we need to sell our soul next time?”

In the morning, the pale knight took up his gun and killed everyone again, not only for justice, but also for the blood debt of gratitude and resentment. The charm of western films lies in this: it is never just for some high sounding and noble things. It is always full of sympathy for people’s emotional freedom and romantic suffering. This pain is a tooth for a tooth, an eye for an eye. After the smoke of gunpowder, the town was quiet. He rode away on a white horse, just as he did when he came, as he did in the escort trilogy 20 years ago. However, his girl had not said goodbye to him. When she hurried to him, he had disappeared. She shouted as she ran, I love you, thank you, bye. The cold mountains were covered with white frost and snow, and the mountains echoed. He must have heard that death followed the pale horse and was taken away by the knight. The new hope he left about life is the evidence of his love for her.

The video is very flat and boring. The intention within the framework is not much new. However, the overall aesthetic style is quite advanced and thought-provoking. Time will make people forget too many thrilling and moving, and too many fears, cheers and tears. However, all the things that bypass reason and thinking and are intuitively seen by the soul and broken heart will always be remembered: such as the sad Liangshan under the dusk, such as the town in the rainstorm, such as the man on the white horse.

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