A man pins a woman down with oversized butterfly collection pins in a dream sequence, and proceeds to fondle her. She calls him a pervert, after which he grabs her crotch.
An elderly man in a dream sequence has an orgasm after Paprika puts her hand down his pants, telling him “it’s going to get rough”. He then inflates and explodes as if his body is a balloon.
Paprika mentions that a man sold his body to an older man. This is revealed to be that the older man wants to live in his physical body and take it over, with a dual meaning revealed when both men are seen in bed together, dressed in sleepwear.
Some kissing and hugging between characters.
A man is slapped after kissing a woman.
Two scientists are strapped to gurneys, appearing to have gone insane. One of them, a woman, has her skirt missing, revealing purple panties, to which she is oblivious. She is wheeled out in public before an observing crowd.
When searching a room, a character finds a group of porn magazines, one magazine is seen named “Hard Boys”, however, you only see the cover which has a man and a boy shirtless; indicating that the person who owns it might be a pedophile.
At one point, the principal character is shown larger than life and fully nude. Although the bottom half of her body is seen, no sexual organs are visible, although her breasts are visible(animated).
A few sexual innuendos.


Film review:Translated by www.rabudo-ru.com


Along the vine of inception, I touched the melon of red pepper. Although “red” is a cartoon, it is much more complex than “theft”.

The imagination of the structure of one layer, two layers, three or four layers of dreams in theft is indeed amazing, but the story itself – I think the core is a love story – has been dispersed by too many gun battles. The direct consequence is that the structure is superior to the story, and the story shrinks to a relatively secondary position. Therefore, it looks like a computer maze game that has nothing to do with itself. There is little to say except the structure, and there are some regrets.

For the dream world, “red” also has a good idea. But different from theft, the dream in red enlarges the reality and criticizes the reality. In this enlarged scene, the director and screenwriter try to show the grotesque images of beings and smooth out the intertwined clues. I think red tells such stories——

First, “you can’t judge people by their appearance, but there’s always a limit?” Although Chiba tunko has a good feeling for Shi Tian, a smart and fat colleague, and understands that love does not take appearance as the primary consideration, there are still insurmountable obstacles – Tian was too fat when he was a male. So, this is a romantic story about beautiful women falling in love with fat people.

Second, the reason for the disease of officer Fanchuan, who was treated by Dunzi’s split red pepper, is that he gave up his dream of filmmaking and became a regular policeman when he was young. This boring choice made him unable to let go for a long time, and he even didn’t want to see a movie again. So, this is a story about how to make dreams shine into reality again.

Third, the source of mixed nightmares disturbing ordinary people’s mind is that the paralyzed and aging president wants to control the world in his dream, but this is not a story of simply amplifying evil and then justice defeats evil. Because he didn’t want to face paralysis, the chairman wanted to grow two strong and steady legs in his dream; Because he doesn’t want to face aging, the chairman wants to borrow the young body in the hill in his dream; Because he doesn’t want to face the passage of time, the chairman wants to control the whole world in his dream. Finally, the desire for youth, integrity and vitality went to the opposite, became a dark element and confused the mind of the chairman. Therefore, this is a story about how we live in the face of birth, old age and death.

Fourth, the hill is another tragic figure. He was jealous of Shitian’s talent and secretly fell in love with Tunzi. He sold his body to the chairman, not only because of his fascination with the profession, but also to get Dunzi’s love, even if it was only possession (there was no shame and hesitation in the dream). So when red pepper lay in front of him, although it was rude, he did not obey the order of the chairman to execute her. Even when the chairman came to the stage from behind the scenes to personally end the red pepper (that is, Chiba Dunzi), he tried to stop it. Therefore, this is a sad story about love but I don’t know how to express it.

Finally, there is the puppet parade from time to time in the film. They were all people in real life, but because their dreams were manipulated by the chairman, they became puppets who lost themselves. In the final scene of the fusion of dream and reality, people turned into dolls and joined the team. The director uses an extremely material way to show the material itself – those who want to be rich become fortune cats, those who want to be beautiful become makeup boxes, and the obscene men who secretly shoot the bottom of women’s skirts simply become mobile phones with camera function… This absurd expression sharply points to the reality: what’s the matter with this society? Therefore, this is a story about how to treat material and spirit.

For the film itself, this spoiled description is too bad. But beyond the structure and imagination, red has not forgotten the story itself. This hodgepodge platter is really difficult to bring people into emotion, and even the filmmakers themselves have to enrich their imagination of the story. However, compared with stealing, which played a cool game, red is more like a book, with intertwined clues. There are careful considerations behind each, which is still worthy of aftertaste.

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