Max hears his neighbor moaning sexually. It is very faint, but can be made out.
We hear Devi say to someone if he wants to “suck mommy’s nipple”. She then says, “These t*ittes are so hard.”


Film review:Translated by www.rabudo-ru.com


Call the past year Christopher Nolan’s year is not too old. This talented Englishman has created a miracle in film history that is almost impossible to be surpassed with the seemingly impossible comic hero theme, whether it is the huge box office in the top three in history, the days when “the godfather” and “Shawshank’s redemption” ranked first in imdb, and heath at the Academy Award at the beginning of the year Ledger swept away the best supporting actor award without suspense. In 2008, the Dark Knight swept away the sense of loss caused by people’s long absence of excellent works with both “good” and “seat”. However, perhaps because the light worn on the head of the dark knight is too dazzling, people almost forget the fact that Aronofsky, a genius who made his debut at the same time as Nolan, also returned with wrestler last year. After the fierce struggle between the Venice Film Festival and the Oscar, he walked out of the shadow of the failure of cherishing the fountain two years ago. After many years of alienation, the two geniuses once again dedicated their own classics in the same year, but although their situations are not very different, they are already different from the past. Therefore, the repeatedly mentioned problem was put on the table again. If aronowski chose to direct the Batman Series, would everything be rewritten?

History cannot be rewound, redrawn and reproduced like film. Maybe, aronowski’s Bruce Wayne’s face will show more despair and abnormal expression, the evil human nature in the clown’s soul will be presented in another more shocking and frightening way, and Gotham will be occupied by Aronofsky’s favorite drugs, blood and desire However, in the final analysis, this can only be a hypothesis. Aronowski’s preference for small production made him give up the fame that finally belonged to Nolan, but he also won the reputation and praise that should belong to him. However, this is not to say that the wrestler is a unique greatness for aronowski. Although, it must be admitted that there are not many people who can not shed tears for “sledgehammer” Randy’s struggling in the desperate situation, and there are not many people who can deny that no director in the world except Aronofsky can almost give up all the iconic film elements on which he became famous, Win a piece of praise with a work that almost completely deviates from its own style. However, I still prefer the earlier aronovsky, the previous aronovsky, who created a series of classic dark talents that only belong to the night.

The death code, aronofskihan’s well-known debut ten years ago, is said to have cost only $60000, all shot on black-and-white film, without big names. Its fame is as easy to be buried as its low cost. Therefore, until now, people are still willing to face the seemingly inexhaustible flashes of light in Requiem of dreams and scream with surprise. However, you know, the release of all these talents actually began quietly two years ago. The outbreak of Requiem of dream is just a light change after Aronofsky’s long accumulation.

Mathematical genius, schizophrenia, science and conscience These elements in the death code seem to immediately remind people of the classic beautiful heart. However, Marcus has madness beyond paranoia that Nash does not have, and aronowski is not the Lang who likes to sing praises to human nature Howard. Perhaps their incompatible names, like ice and fire, have determined the difference of the story in the hands of the dark genius.

Genius Marcus is very sensitive to numbers. His job is to predict the trend of stocks at home, and being with numbers is his whole life. He firmly believes that not only securities, but all things in the world can be explained by numbers, and his biggest dream is to transform the complex world into a relatively simple mathematical model. Driven by this ultimate ideal, he would rather be unkempt all day and isolate himself from the outside world, but also try to find out the secrets of the whole world on the screen of Euclid’s computer at home. However, gradually, Marcus fell into a dilemma without solution. On the one hand, the lack of communication with the outside world made him more and more irritable and lonely. On the other hand, something in his brain has been torturing and pestering him, making him unconsciously indulge in hallucinations and unable to think normally. Therefore, he can only rely on a large number of drugs to alleviate his pain. Until one day, “Euclid” suddenly scrapped after spitting out a string of strange 216 digits. Marcus asked his mentor sol for advice. Sol thought Marcus had been too obsessed with numbers and taught him to have a good rest. However, Marcus is paranoid about his choice. He firmly believes that this number is the key to the ultimate secret of the world, and the coincidence of this series of numbers with the strange trend of the stock market that day makes him more convinced of his judgment. Crazy Marcus seems to be ignored. In fact, the secret he found has been coveted by the people around him for a long time. On the one hand, people from securities companies want to make a lot of money by using the mysterious password in Marcus’s hand. On the other hand, the members of the church told Marcus that this number was the secret of the Jews and the name of the holy God. Marcus is in danger because of this number. But he was still unwilling to give this number to any party, because he firmly believed that because he found this string of numbers, he himself was God. But even so, he still couldn’t escape the endless torture of some part of his brain. Finally, exhausted Marcus couldn’t stand the pain brought by numbers and his brain. He raised the electric drill and aimed it at his brain

A former genius was powerless in front of the little girl’s simple math problems. He lost his sensitivity to numbers, but he saw a ray of sunshine in the leaves.

The birth of aronowski’s first work has experienced six years of thinking since he won the prize for his works in his student days in 1992 and didn’t hand over his first formal homework until he was in his thirties in 1998. As a low-yield director, Aronofsky attaches great importance to the excavation of the depth of the theme in the film. Since his debut, he has been trying to give others an impression that what he thinks in his works is actually more important behind the gorgeous and even fancy image skills. In contrast, Nolan’s ambition to make his debut in the same period seems not so great. The gradual Nolan may not be as profound as Aronofsky at the starting point, but after the accumulation of experience and his own experience, Nolan’s works are deeper and deeper. Aronovsky’s thinking is irregular and elusive. Even though most of his works are convincing, there are also strange people who think too much and too deeply in cherish the fountain, which is so obscure that they are crazy and impulsive. However, the idea of not letting his image be completely dominated by the picture still makes aronowski’s works look full of connotation.

If Nolan has been saying only one word “revenge” in his films, the topic Aronofsky has been discussing seems to be inseparable from the question of desire. And this starting point is the death code.

“1. Mathematics is the language of nature. 2. Things around us can be expressed in numbers. 3. When these numbers are transformed into images, patterns will be formed. Therefore, patterns exist everywhere in nature.” Simple and clear expression, mathematical axiomatic language, a personal monologue of Marcus, the protagonist at the beginning of the film, is exactly his ultimate creed. This creed led to the formation of paranoid thoughts in Marcus’ heart, and under the guidance of this concept, Marcus also began his journey of deconstructing the world, and even went crazy for his own purpose. Perhaps, all the assertions about the ultimate, essence and core are naturally grand, empty and hypocritical. They disguise their true secrets with mysterious language and pretend to be profound waiting to be penetrated by others. However, the fact is that these assertions can be understood by anyone because they come from human nature. Can the world really be summed up by a few numbers, a few laws and a few axioms? People just like to carry out a series of unnecessary simplification under the banner of “convenience”, without considering the consequences of this simplification. And when this simplification comes to an end – some “conclusions” are really drawn through the so-called research, the world once full of color and motion is suddenly silent and black and white. “Conclusion” is to deny the world’s greatest pleasure – change and turn perceptual people into cold machines and programs, while a few masters of “conclusion” can still enjoy the colorful world alone. However, why do people love “conclusion” so much?

Because this is “science”, what a noble moral reason. Such an answer makes the real answer farther and farther away from people, just as the real world is farther and farther away from people. It’s better that something called “heart devil” is dominating people. It doesn’t mean that people don’t need a diverse world, nor does it mean that people really like to live in a space dominated by symbols and numbers, but all people don’t want to share the changes of the world with others, but prefer to enjoy the beauty alone. The result is that people weave a series of “principles” and “conclusions” to deceive and rule, and then try to become the holders of these “keys” that can be used to decrypt the world. Imprison most people in a static world, so that holders don’t have to worry that someone will compete with them for the real changing world. “Science” is only one of these high sounding reasons, and so are others, such as “religion” and “politics”. In the movie, a string of numbers just caused by computer failure can make people crazy. People in securities companies think it is the password to predict the trend of the stock market. People in the church say it is the name of God, and Marcus takes it as his reason to be God. All people are competing for this mysterious code, because in their own eyes, this code is a means of self ruling the world. Money, faith and rights, under their surface, are wrapped in people’s unspeakable desire, which is intertwined with pleasure and selfishness. This desire is the so-called “heart devil”. In order to have the opportunity to deceive others, first of all, people have to deceive themselves and bow down to a string of numbers. This story with a bit of black humor did not make people have the traditional feeling of neither laughing nor crying under aronowski’s interpretation. On the contrary, what they experienced was only endless heaviness. I remember in a movie, someone teased that the Russian character is like Dostoevsky’s novel, full of misfortune, pain and sadness. As a Russian descendant, aronovsky presented ugly hearts to the world with the way of thinking of people on the frozen soil. Marcus said that in his childhood, his mother told him not to look directly at the sun, but he did. As a result, although he had great talent, he could no longer see the sun. Isn’t that corner without sunshine just the part of people’s hearts dominated by desire? Genius in the dark, who wants to deconstruct the world, can only deconstruct himself in the end. And does the world really belong to numbers and formulas? Can science really solve all problems for mankind? With such questions, aronowski embarked on his own way of thinking. In the classic “Requiem of a dream” two years later, he still reluctantly questioned science and cruelly displayed people’s ugly desire – known as a scientific weight-loss drug, but finally let the mother in the film go on the road of no return to taking drugs, and the red dress has always become a memory in his dream. Even in the controversial work “cherish the fountain” in 2006, it still seems that behind the seemingly mysterious and obscure images, Aronofsky is telling people that science can never bring the eternity of life, it will only make people lose, and the real eternal love can not be exchanged by science. The death code is such a pioneering work. All the films after aronowski may have their own unique styles, but what remains unchanged is the serious questioning spirit.

It must be admitted that although the topic discussed in the death code is quite deep, as Aronofsky’s debut, the director’s own shallow experience and the fashion’s not in-depth and mature philosophical thinking make the film seem to have a sense of insufficient spare power. However, in addition to laying a common theme for Aronofsky’s later works. The image style shown by Aronofsky in the film seems to have a more far-reaching impact on his later works, especially the Requiem of dreams. Nowadays, when it comes to the Requiem of dreams, people are fond of talking about the director’s discussion on the topics of “dream”, “desire” and “drugs”, which is the fancy and avant-garde shooting skills in the film. However, in fact, these skills are all inherited from the death code. The clip is too fast to be described as “sharp”, a large number of exaggerated close-up shots are used, and the almost complex depiction and description of opening the door, taking medicine, injection and other actions are combined with Aronofsky’s favorite electronic music, even if the story part is abandoned, the death code Visual alone is enough to make a very deep impression — of course, It’s kind of cold “Not everyone can bear the style of. In order to show the painful state of the protagonist Marcus tortured by his brain, Aronofsky spared no effort in describing his illusory world. Even, compared with the profound theme, the film’s depiction of illusions is more impressive. Of course, maybe this is Aronofsky’s original intention — focusing on the right The display of dreams. As we all know, psychological description is the biggest weakness of visual art compared with language art. Due to the limitations of the film’s own conditions, it is difficult to fully show the changes of the characters’ inner world. However, in aronowski, the past impossibility has become a reality. In addition to using the traditional image method to show the pain of the protagonist Marcus when he was tortured by his brain, Aronofsky added more personal new elements. For example, after fixing the camera on the character’s body, the lens also shook violently with the shaking of the character’s body, although it may bring great discomfort to the audience, But this turbulence seems to bind people to the beating hearts and minds of people in the image. In addition, in the presentation of dreams in the death code, Aronofsky also used another repeatedly mentioned and even criticized place in his images for the first time – his love for cruelty. Tortured by the brain, Marcus wanted to destroy his brain more than once in his heart. In his dream, these ideas were interpreted as shocking scenes such as “brain pricking” and “brain washing”. The maggots crawling in his brain from time to time, the blood flowing out of his brain, and the sharp contrast between black and white glue are enough to make him sick, But it is also enough to make people realize the real cruelty. This extremely compelling reality is brought into full play at the end of the film – the scene of Marcus stabbing an electric drill into his brain in the bathroom will make many people forget this nightmare memory many years later. Perhaps, it was such a successful attempt that Aronofsky was unable to accept the next one. In the last 20 minutes of the Requiem of dreams, there were suffocating performances, limb amputation, electric shock and GJ alternately, and the undisguised presentation of blood in the wrestler. These are disturbing

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