Homesex moviePortrait de la jeune fille en feu (2019) Movie Sex & Nudity

Portrait de la jeune fille en feu (2019) Movie Sex & Nudity

A woman takes her clothes off near a fire to dry herself. It’s dark but her breasts can be glimpsed.
A woman’s breast is clearly visible for a few minutes as two characters lie in bed. Scene is not sexual.
A woman is awoken from sleep with period pains. Her nightdress is raised and her pubic hair can be seen briefly.
Female nudity is casually and nonsexually shown. There is no male nudity.
A woman is seen with a mirror down at her crotch while another is drawing a portrait of herself (both are naked in the bed, though nothing is seen).
A woman’s hairy crotch is visible when she wakes up.
There are three instances of nudity, two of which are breast nudity and are incredibly brief and easily missed. And one of which is crouch, nothing explicit is shown and it is non sexual though.



Film review:Translated by XX www.rabudo-ru.com


On the eve of farewell, Eloise said she would remember the moment when she wanted to kiss Marian for the first time. Marian asked her when, but she didn’t answer. At first, I thought that the moment appeared on the night when she asked Marian if she had tasted love. Later, I thought it should be earlier. As early as Marian learned that she only listened to the organ and didn’t smell the symphony, she tried to explain and played the four seasons. At that time, Marian was flustered and couldn’t remember the score, but Eloise was unwilling to take her eyes away from her face.


That’s why she said to Marianne after returning from a solo trip:

“When I’m alone, I feel the freedom you said, but at the same time I miss you.”

“Missing you” here is the Russian translation. In solitude, I felt the liberty you poke of. But I also felt your absence

I remember what you said again, but they remind you of your absence.


At that time, under the indifference of her appearance, Eloise may have believed in her heart that Marian was just a walking companion, and a kind and beautiful companion who always watched her nervously and told about the wonderful life in Milan in order to alleviate her anxiety.

So when Marian confessed her identity to her, the strong sense of being deceived made Eloise put on the coat of indifference and anger again: no wonder you have such eyes; No wonder you tried so hard to convince me that the beauty of “exile” in distant cities was only out of a sense of guilt. Her disapproval of the first portrait is more of the same emotion. What is strange and distorted is not only the self in the portrait, but also Marianne who has been together day and night for several days. The person who once made her feel so close, suddenly so far away.

But I still like her. That’s why I asked her to stay and draw again.

Then there is the mixture of sweetness and heartbreak. The desire and impulse that are cautious and difficult to contain is like that after Eloise is asleep, Marian quietly takes a paper and pen and sits down to draw a picture for her. In the one-way gaze, the surprise and the joy of being looked back, and in the sudden restraint of several times, the viewer feels the heat that is difficult to cool for a long time.

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