Male buttocks briefly visible


A man licks his nipple to try and seduce some Catholic schoolgirls.


Romeo enters Juliet’s room on their wedding night and they kiss. She removes his shirt, and he hers (she isn’t wearing a bra, but only her bare back is seen). They kiss passionately, though all we see is his upper body and her back and shoulders.
The next morning they wake up naked in bed together (her bare back is seen again). He stands (barely covered by sheets, you see his naked thigh and side of his butt for a second) and puts on some boxers, and is seen in them for the rest of the scene. He gets on top of her and kisses her momentarily wearing only boxers — his arms blocking any views of her breasts.


Film review:Translated by www.rabudo-ru.com


When watching this film, I was always excited… Because I found that such a good film full of wisdom and a little experimental had existed more than ten years ago

There is the original text of Shakespeare’s original work at hand. I have worked very hard to interpret his ancient English at the key points, and talk about my feelings about the film in combination with the original text

Talk about the film from several aspects.

First, the adaptation of dialogue.

Although Shakespeare’s Romeo and Juliet are familiar to everyone and can no longer be familiar with, due to our incomplete understanding of that era, many details of delicate can not be well conveyed. Coupled with Shakespeare’s endless lines, a modern person’s digestion ability is really difficult to bear. Just from Romeo’s sad news of his lover’s death, “I despise you! Fate!” (it’s actually “then I defy you, stars!”) At the beginning of this paragraph, our hero said six sentences. In classical times, this was not instigated. Moreover, in the original text, he wanted to write a letter rather than go directly to the funeral. Then he said 24 lines of poetry in one breath until he went to buy poison. In modern film editing, such a long nonsense has long dissipated – rather than strengthened – the protagonist’s sadness. So it is greatly simplified into the heroic “O Juliet. I’ll lie with their tonight. I will fence tonight.”

Next, in the picture of buying poison, Romeo also said a large paragraph (line 8) at one breath and another large paragraph (line 7) of nonsense in the second breath. The only sentence is “the world is not that friend, nor the world’s law!” It fully conforms to the views that modern people want to convey, especially the views that the film wants to convey. In addition, with the sonorous and powerful, Romeo has become modern as he is adapted into “money after taking out” in the film.

Therefore, the compressed wisdom of Shakespeare is used in the compressed art form – film mapping. This film is still in place, reflecting the spark of the combination of classics and modernity everywhere.

Second, some mechanically copied but still logical.

The characters of the two families have changed from a belligerent knight in armor and a dignified lady to a flamboyant and aggressive Street hooligan and a neurotic vulgar rich woman. A beautiful upper class ball has become a farce like psychedelic and turbid mischief. The romantic Romeo’s nature remains the same, his clear eyes and sculptural face remain the same, from a sword drawn duel to pulling the trigger of an exquisite pistol, but it still seems to be spotless. Everything seems reasonable and normal. Even if the actors are hysterical, you will believe that all this is Shakespeare’s style. He is a mental patient, rock lover and absolute artist.

For the interpretation of this film, I think it is very reasonable in the times, because even Shakespeare’s original text reveals that kind of aesthetic, exquisite, romantic, violent, impulsive and psychedelic atmosphere everywhere. Shakespeare is a mystery. What the hell is he thinking? Enough to make future generations crazy with him.

Third, the choice of sound effects and colors

This is my favorite place – the sound effect is blurred. All kinds of master soundtrack and quotations make my blood boil. It’s a great feast for my ears.

I have to admire Craig Armstrong’s composing skills… The meeting between the two protagonists on both sides of the dreamy fish tank glass used a beautiful voice to mobilize the atmosphere, which was really sensational… Then a slow-moving whirling elevator kiss was matched with kissing you’s orchestral scene – the climax was only about 10 seconds, and then it ended quickly from the climax, but it took more than 5 minutes to play and promote, It’s really classical turtle hair… But! In my opinion, it is so in place. The mood is mobilized to the highest point – not even willing to leave the scene.

It’s not enough to say more about the theme. After all, it’s Saro’s work.

In addition, the site was chosen in the city of God – Rio de Janeiro, which is a symbol of chaos (the meaning of “sense of chaos” is explained later). The hot weather, the flower shirt in the heat wave, and the excited young Mercutio ran wild on the beach. They met Capulet hooligans and actually played with Russian turntable pistols. Gentlemen with excess hormones, the scene of Mercutio blocking the sword for Romeo in the duel has a meaningful ending. Dark clouds are threatening to destroy the city. Mercutio, stabbed by Capulet brothers, keeps repeating “a plague o ‘both your houses!”

The innocent death of his good friend made Romeo crazy for revenge. He irreversibly killed Juliet’s cousin and the gentle head of the Virgin Mary on the pistol. People not only sigh the horror of hatred.

It is obvious that the color has been carefully adjusted. Generally speaking, it is a strong color of “Van Gogh class”, and it does have the rendering atmosphere of “enthusiasm, openness, destruction and chaos” described by Yoshiko Asaka to Van Gogh. The color art editor used an exaggerated strong yellow tone in the places where the Mo family often wandered, highlighting the atmosphere of “enthusiasm, chaos and impulse”. This is the atmosphere of Romeo. Romeo, from falling in love to getting engaged to getting married to killing, being exiled, waiting in despair, to knowing that his lover was dead to taking drugs, all hate had to be delayed for a second, and he couldn’t help lamenting the impulse and confusion of 14-year-old and 5-year-old teenagers.

The dance in the Ka family is full of blurred colors. The crazy crowd seems to put the brain aside and dance with demons and monsters. Men make up and flirt; The meat balls of unknown sex roll, bright and oily. I always think this is Baz luhman’s interpretation of modern society, including the feeling that people can’t help themselves in the Jianghu, which is strengthened by Baz on the basis of Shakespeare.

I won’t comment on Juliet’s acting. But her appearance matched my fantasy of Juliet. Gem green eyes, creamy snow muscles, childish hands, flaxen curly hair.. Just together with Romeo’s purity, it sets off the childish and desperate courage in this boiling and disorderly impermanent world at any time.

People don’t want to leave. Are things with a sense of distance always more convincing?

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