Homesex movieSamaria (2004) Movie Sex & Nudity

Samaria (2004) Movie Sex & Nudity

No actually nudity but the entire film revolves around prostitution.
A few scenes of women and men in their underwear.
Two scenes with two girls washing each other, they’re both completely naked but you don’t see anything.


Film review:Translated by www.rabudo-ru.com


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When the soul is restless, living is undoubtedly a kind of suffering

– Kafka Lu kavkalu

I can never imagine that someone would describe a moral killing with the music of sati’s naked dance.

Never thought that someone would freeze the smile of the dead and let all the living fall into the absurdity of existence.

But the Korean did. In a way, he was colder than Fassbender.

As long as there is a male root, there must be people looking for vent. Aid communication originated in Japan. In the 21st century, it has become a universal problem in the world. The increase of male pressure also amplified his inferiority complex, so he looked for comfort from girls. It seemed to conquer, but in fact he lost his status.

The network has found a way to seek identity for lonely and hungry people. The network makes the communication of life possible in an instant. However, the network is also a mixture of good and bad people, and everyone is looking for different things in the night.

Yijun and Jierong are a pair of partners. In order to realize their dream of going to Europe (Europe, another finger about inferiority), they look for prey on the Internet and provide assistance and communication. Jierong receives guests and Yijun acts as a pony.

The girl named Jierong is sweet and pure. She is the type of salty and wet people with low self-esteem and wretched heart.

Girls only have one chance to open the door. Every girl is full of longing for it. After that little pain, life will grow old.

[vasumitra] do you know the original body of Buddha?

The girl said: any man who has slept with vasumitra will become a devout Buddhist.

This is the Buddha’s insight. One aspect of Guanyin’s myriad faces is the prostitute state (it can be seen that the Chinese Buddhist Classic “five Lantern Festival yuan”). Although girls are excuses, it is their flesh that arouses those smelly men’s recognition of existence and alleviates their essential inferiority complex.

Kim Kidd never wanted to tell the tradition. He still gave everyone a moral lesson with the story of a young girl in the flower season. Therefore, there were few naked scenes in the whole film, and Jierong’s words about male redemption must have touched every man who has an insatiable desire.

Jierong seeks money from men, but what emerges on her face is a religious redemption emotion. Kim Kidd makes a child’s body bear the heavy responsibility of salvation, and despises all the shoulder less male society.

The scene of Yijun and Jierong in the bathroom is pure and non pornographic. It reflects the truth of children’s hearts. When they become assistance and communication, we should first see the lack of social responsibility for them. They comfort each other, looking for courage and fulcrum.

As long as we observe carefully, we can find that Kim Kidd’s film lens has a deep meaning. The pig’s hand, which was discarded at random, has left the tone for the girl’s evil death. Life is so simple. When giving up happens, everything is logical. Similarly, the cross represents God, but God, do you see the two young girls around you?

Yijun’s mother died. His father was a policeman. His busy work made him have no time to worry about the children at home. At the moment, he knew nothing about what happened to Yijun. The director described his father’s love for the children in detail. In sati’s music, it was as warm as sunshine.

However, such concern is too little. Life is always in a dilemma. The juvenile delinquent directed by Zhang Liang in China in the 1980s also raised this problem.

The children presented their flesh in ignorance, but they didn’t understand that all deviance had a cruel price. The temporary inspection of the police stopped them from collecting money.

In order to escape the jump, your counterpart is also on the road of no return. Kim Kidd is always cold when showing death.

This is an unbearable moment. The young girl Jierong touches the earth heavily, and the dark red blood slowly exudes. However, there has been a strange smile on her face, which will stay in your mind for a lifetime. It is meaningful for the director to design Jierong as the best. In fact, she can overlap with Yijun, because the dialogue between Yijun and her is more like the mumbling of the soul.

Death makes everything stiff, and Kim Kidd expands this tragedy into a reflection on life. Everyone will answer Jierong’s mysterious smile before her death. I think this scene has a strong religious meaning, a meaning beyond the phase of life and death.

A person must experience a tremor of love to die peacefully. Jierong’s last wish is to see a composer she loves who has had a relationship with her, but he doesn’t want to go. In order to fulfill Jierong’s wish, Yijun has to compromise and care with him. At this time, the director has attached Jierong’s soul to Yijun. At the moment of going out, the man was still slowly cleaning the stains on the car.

Compared with life, what is precious? The director mercilessly exposes the coldness of human nature to the audience with this detail, so that we can touch the coldness of the city.

A silent little corpse brings the story of life to heaven with a smile. And the living Yijun will begin her journey of redemption.

Dead, this is the conclusion of this paragraph.

[Samaria] the city of St. John the Baptist

One leaves and one lives. Who can say that living is a kind of happiness?!

When the soul is restless, living is undoubtedly a kind of suffering. Yijun has completed the transformation of her role. She has become the Baptist of those who are salty and wet. Paying back the money itself is the refuge of the soul, with the desire for redemption. This passage is not meant to be hymnal.

She said goodbye to the money transaction itself. In fact, she acted as their guide with her words and deeds. Only in the face of pure and kind mankind will examine her ugly soul.

The director expresses the alienation of the role with the scene of makeup, just like a divine (makeup) me playing the role of “superego” with a sense of religion. In the illusion, Jierong’s raising her hand actually represents a relay, and the meaning of salvation is sublimated into the salvation of the soul.

When Yijun returned the money to the middle-aged man and said thank you, the salty man’s soul was touched, and he was also saved at this moment. When he called his daughter, he found his soul again.

The names crossed out are crossed out old debts. Similarly, those humble men will face life again. After all, most people have a sense of humanity and guilt.

From Jierong’s death to Yijun’s stubborn role as a giver, the meaning of the film is very clear. It constitutes the nirvana bath and fire regeneration of human soul. From the humble physical desire to the abandonment of profit, Yijun achieved himself.

The virgin and the end of the world

As the father of the police, he accidentally discovered his daughter’s secret. He couldn’t communicate with his daughter and couldn’t get everything back on track. He could only revenge those dirty men to vent his pain and helplessness. The director chose to jump off a building to commit suicide because one of them couldn’t stand his examination of his ugly behavior and couldn’t face his family.

Kim Kidd, only let a pool of dirty blood and broken glasses complete the moral judgment of this ugly behavior. The lens is very concise, so far.

Men will never have the magnanimity of the virgin. They always fight violence with violence, and they will not return in the end.

Because of anger and despair, killing has become an extreme way of balance, whether intentional or unintentional.

[Sonata] Kim Kidd’s soul Sonata

Kim Kidd seems to like to set two endings for the audience to choose. I prefer the ending of the dream. If a porcelain bowl is broken, let it disappear. The future created can’t stand the rain of reality.

For me, the film has ended in Sadie’s music. In such poetic music, I let the director dispose of the girl named Yijun.

Such themes that directly point to human nature have reason to obtain silver bears.

When women bear the pressure of this world with their own bodies, what have you done for men who should rationally support their sky?

In Sadie’s music, the drifting of the soul.

[Note 1] Samaria: an ancient city in central Palestine, located in the northwest of present-day Jordan. As the capital of the northern kingdom of Israel, Samaria was built in the 9th century BC, also known as Samaria. It was conquered by II in 721 and destroyed and rebuilt by Herod I in the 2nd century. It is said that St. John the Baptist was buried here

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