A man caresses and kisses a woman’s bare abdomen, legs, he takes off her panties, and he climbs on top of her and they kiss passionately. They are shown having sex.
A woman bathes (we see her bare breasts, abdomen, thighs and part of her pubic region), a man joins her (upper body seen), he caresses her and kisses her knees and legs and we see her bare buttocks as she gets out of the tub. Plenty of nudity, but no male/female genital (graphic) nudity, and scene is not sexual.


A man undresses a woman and caresses her breasts.
A woman sits in a chair with her hand in her pants (she is apparently masturbating, however we don’t see any movement) and a man watches her, and a man puts his hand in the back of a woman’s pants and they kiss passionately.
A woman wearing a slip climbs on a man’s lap in bed, pulls down one strap of the slip (we see her bare shoulders and back), they kiss and lie back on the bed.
A man and woman have sex in a public bathroom. We see her bare buttock from the side and her bare breast as he kisses her chest. This is a rather strong sex scene, but there is no male or female genital (graphic) nudity in the process.
A man and woman have sex in a movie theater: she sits on his lap and we see them moving rhythmically and hear them moaning.


A man tries to force himself on a woman. She refuses but then consents; he takes off her pants and his shirt; we see her pubic region. They then have sex against the wall in a hallway with thrusting and moaning.


Film review:Translated by www.rabudo-ru.com


At the beginning of the film, accompanied by the soothing sound of the piano, a quiet lake and house appeared on the picture. At this time, there was no wave on the water. Then the wind gradually rises, a bicycle is blown down by the wind, making a clang sound, and the quiet atmosphere created by the opening film is broken at this moment, suggesting that the protagonist’s dull marriage will change. Although this is a metaphor used by many directors, we have to admit that it is simple and pleasant. Connie said carelessly in the room: what a strong wind. This is the first line of the film. Of course, she doesn’t know how much the wind will affect her life. The tree wants to be quiet but the wind doesn’t stop. In this play, the wind can also be regarded as a symbol of fate. Connie was “knocked down like a bullet” (Paul mathier told her in the wind), lost in the wind of fate.

In the street where Connie met Paul mathier, the camera was full of dark colors, gray streets and gray old houses. Martier told her that I lived upstairs with green plants at the door. Yes, the young and handsome French man, with long brown hair, an irresistible smile and a vibrant body, such an encounter is tantamount to a touch of beating green symbolizing life in the gray set, so Connie looked back at the empty taxi passing behind her, and fate opened two doors for her at this moment, But without thinking, she followed mathier into the building, and one of them slammed shut.

Entering the building, mathier angrily kicked the broken elevator, which was not kicked casually. It was the elevator that trapped Connie’s husband Edward in the later plot, rendering the tense atmosphere unbearable, which really made me sweat.

Connie went to the bathroom to treat her wound. Her vigilance towards strangers made her carefully check whether the door was locked. Then we saw her turn on the water pipe – MATIER was washing the tea cup – the burning pain of the band aid touching the wound – the flame of MATIER’s tea, beautiful switching. In the meantime, Connie put her foot on the toilet and didn’t put down the toilet ring – Connie told her son to put down the toilet ring after urinating at the beginning of the film – this was something that annoyed Connie, who did the rules, but she didn’t care to put down the informal French man at this time. After that, martier’s sudden intimacy (personally applying ice to her wound) made Connie uneasy. When she left, martier asked her to take away a Book – wine to restore her youth; Wine, roses, have fun in time. For a middle-aged woman, it’s a naked tease.

The next day when Connie was at home looking through the book Marty gave her, she dropped a Marty’s business card with his telephone number printed on it. Connie, who thought she would never meet this strange man again, wavered. We saw her look back with a guilty heart – of course she knew there was no one else in the room, but she would instinctively do this when she was pregnant – the pet dog was looking at her.

She called martier at the subway station, dropped coins, hung up the phone, refunded money, hesitated and dropped money again, determined to dial, no one answered, regretted and relieved to hang up the phone, but the phone was connected. Caught off guard Connie said awkwardly, hello. The lens switches between the hands and the face in the key parts of the whole action, which is smooth and coherent, and the character’s psychology is fully revealed. Martier invited her to his house for coffee. Connie looked at the coffee cup she was holding in her hand, put it on the telephone and smiled and agreed.

At martier’s house, martier helps Connie take off her coat. Close up, his fingers gently across Connie’s neck. Then MATIER brought Connie coffee, which was originally a plot without performance, but the director let the hot coffee make MATIER at a loss. The meaning here is also very simple. First, it implies that mathier’s attention is not on the coffee. Second, the boiled coffee is like the surging emotion under the seemingly calm appearance of the two people.

After a short flirt, Connie felt guilty and hurried away. In order to get some psychological comfort, she bought Edward a gift and sent it to his office in person. The plot is reasonable. If there is nothing to offer, it is a universal truth.

However, Connie, who was unable to resist her erotic desire, finally ran to see mathier and had a relationship with him. This process was presented by Connie’s memories on the train back home. This arrangement was quite exquisite. It not only strengthened and exaggerated the pleasure of their intercourse, but also gave her endless aftertaste, and more vividly demonstrated the sultry nature of this middle-aged old woman. This part is the most classic part of the video. Diane’s performance is very powerful, killing all the “love action films” I’ve seen in an instant. No wonder Connie was flushed and breathless just looking back. In fact, we were all wet.

After that, Connie officially began to communicate with martier. The director handled it like this. In a piano sound, she showed Connie’s life with her family and her affair with martier alternately. We know that cheating people always believe that they can control the overall situation at the beginning, and balance between family and selfish desires – often in the first period of time. The director’s move expresses this psychology and state.

However, his husband Edward found a clue. Although he knew Connie was cheating him, he still chose to remain silent before he fully understood the matter. This setting is necessary. First, it reflects the man’s forbearance, which is the key to the continuation of the video. If he is a hot man, he will tear his face with Connie at this time, The following plot development and the final result cannot be established. Secondly, it also indicates that this is the last calm before the dramatic conflict is about to break out.

One day Connie met two friends downstairs at Martell’s house. During the conversation, a friend who had an affair warned her that such things would end in tragedy. This setting is needless to say.

Then Edward finally launched the final investigation, but Connie began to be condemned by her conscience. When she was cooking, she was in a trance and made a mess. The burnt chicken nuggets and overcooked water were the same as MATIER’s coffee, but Edward was more tolerant and calm at this time, This is in sharp contrast to Connie’s joy at the beginning of the affair and Edward’s fear of discovering something wrong (he once asked Connie if she did something wrong and asked Connie if she loved him). It indicates that the exchange of roles between the two has begun. Edward will replace Connie as the protagonist in the next plot and be involved in the wheel of fate at the same time. In this passage of Edward’s lines, the key words of maintaining the family in his heart are hidden: loyalty and responsibility.

Connie forgot to pick up her son from school after a sex affair, and finally touched her moral bottom line – the video also made a lot of efforts in depicting her children, because children are the key factor for Connie’s psychological change. Connie feels that the first thing she owes is the child, not Edward. Finally, after discovering that mathier was more than one lover, she chose to terminate her relationship with mathier. And just after she left MATIER’s house for the last time, Edward went in.

Then came the climax of the video. Edward had a positive contact with mathier, a tolerant and calm middle-aged man and a young and strong young man; One is saddled with the pain of his wife’s betrayal, and the other is embarrassed by the visit of his lover’s husband; The invisible contest has been going on in the conversation between the two people. The director and the actor handled it properly, so that the contest has been in a perfect balance. It was not until Edward saw the fuse crystal ball that one side lost control that he tore the suffocating balance. All the spear shield conflicts broke out in an instant, which made me feel thrilling.

After the murder, Edward heard Connie’s parting message to martier. Looking straight, one sighed. Then Edward and Connie hugged each other at school to watch the children’s performance. When the camera was aimed at their two bitter but happy faces, people couldn’t help but feel sad. Why should people learn not to give up and remember the happiness that was close to them after experiencing so much right and wrong.

Martier’s disappearance and the discovery of his body made the police come to Connie’s house for investigation twice. Diane and Gere’s performances in these two scenes were quite wonderful. I believe they have experience, so there is no need to say more.

Finally, there were two scenes that moved me most. When Connie opened the crystal ball and saw Edward’s message, I finally couldn’t help crying. Today, the teacher talked about Frost’s unselected Road:

There are two roads in the Yellow woods,

Unfortunately, I can’t get involved at the same time,

I stood at that intersection for a long time,

I looked at a road,

Until it disappeared into the depths of the jungle.

But I chose another way,

It is lush with weeds and very quiet,

It looks more attractive and beautiful;

Although on these two paths,

But rarely leave the footprints of tourists.

Although the leaves fell all over the ground that morning,

Neither road is polluted by footprints.

Ah, leave a way to see you another day!

But I know the path is endless,

I’m afraid I can’t go back.

Maybe years from now, somewhere,

I will sigh and recall the past:

There are two roads in a forest——

And I chose the one with fewer people,

Since then, it has determined the path of my life.

At that moment, Connie’s skirt danced in the wind and her long hair was messy. Like you, I wish she would turn around and walk into the taxi and say thank you to martier loudly. By this time, the film is no longer about Connie’s story, but the empathy of each of us. If you could turn back time, what would you choose? Whether it will be happier and happier than now. I remembered what martier said to Connie when she first met her, hold on and don’t be blown away by the wind. It turns out that the wind is still not fate. It just blows you to the crossroads of fate. It’s up to you to decide which direction to go in the end. However, the reason why life is so difficult lies in these unpredictable choices.

So, although we all want to know how Edward chose, the film ended cruelly in a fixed long shot. The last thing we saw was Edward and Connie’s car, quietly parked at the intersection in front of the police station.

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