A woman is cheating on her husband with another man.


A woman takes her clothes and she is fully nude when enters a bathtub with another man who is naked. Full frontal nudity breasts and pubic hair is shown.


A sex scene while both are standing and thrusting can be seen.
There are brief scenes of nudity, including partial female frontal nudity (breasts, buttocks,) on a few occasions.


There are a few sex scenes,not too revealing. Some of the scenes include nudity.
A man asks a woman to perform oral sex, no nudity is shown.


Film review:Translated by www.rabudo-ru.com


Beauty and injury always seem to coexist and entangle each other in a story. Similarly, no plot in the film is “only” beautiful. I think if we are really willing to listen to and understand the film, we can’t just see what we want to see and deliberately ignore what the director clearly wants us to see; Nor should we make unreasonable decisions about the position of the main elements in the film. I tend to hold a negative attitude towards whether the film expresses the love of “aestheticism surpassing the secular”. There are many reasons, not only the most unavoidable in morality, but also what the director clearly conveyed to me in the film language: Katherine and Almasy’s love is based on betraying marriage and friendship.

Many Chinese comments have this view: love is supreme, and other external criticisms and rules should make way in front of true love. I think this view of moral relativism contradicts the details shown in the film. Katherine once clearly and directly expressed that she loved her husband and felt uneasy and painful for her own infidelity.

It is undeniable that in terms of knowledge and taste, Almasy is closer to her than Katherine’s husband; And from the moment they meet, the attraction between them is a panoramic view for the film audience; The stunning beauty of desert scenery and the strangeness of storm adventure make it difficult to doubt that they are not made for each other in such a romantic environment. However – no matter what we viewers think of Katherine’s marriage (and even pray for its end) – at least Katherine cherishes that her painful struggle in extramarital love is not simply because external conditions do not allow her to be with Almasy. It is the complex emotions of regret and reluctance from her own heart that torture her, And the fierce contradiction between morality and fun – in this regard, the play in the open-air cinema actually contains a lot of information.

 

Her restlessness and panic, as well as her careless collision with the iron frame when she was ready to turn around and leave, all show that she has lost the calm, natural and calm when we first saw her under the usual calm and dignified. In other words, Katherine is a difficult role to play, because she is a very smart and elegant woman. Elegance does not allow her to express all her feelings on her face and words, and intelligence makes her fully capable of cleverly hiding herself. Therefore, although the feelings in her heart are rich and turbulent, and even the main driving force of the story between her and Almasy, we can only experience from the occasional emotional outbreak and subtle changes of mood before and after we want to capture her thoughts. Not only the marriage, but also her husband’s feelings, which can be seen from one detail: when Almasy was in love by the pillow, after being injured in the crash and being placed in the cave, she always kept asking Jeff about her husband. Although it is out of guilt, it just reflects K’s love, righteousness and kindness. In the final analysis, the beauty of a woman lies in the word “love infatuation”. Other qualities such as brilliance, agility and sensibility are icing on the cake. If she is just an elf like existence, has no care for her childhood good friend and husband who loves her deeply, and has only Almasy and love in her eyes, she can not be regarded as a too beautiful woman, But closer to a cold-blooded black widow. The reason why K is so beautiful that I am moved is precisely because she has not been numb in a dilemma emotional vortex. Her conscience and consciousness have been beating her in turn. She suffers from this. This pain tells people the two most lovely natures in K’s heart – the simple enthusiasm of girls and the kindness of mothers.

Even if we only look at Katherine and Almasy, the best thing seems to be the time before they became lovers. They are cautious and full of petty intelligence, implicit courtship, and gentle anger after resistance, giving people a feeling of innocence like first love. But then their relationship was eroded by jealousy, narrowness, selfishness and lust. The mutual stabbing at the banquet and the vindictive possession at Christmas reveal the mixed feelings of love and hate. I remember someone once said incisively that love is a war, which is difficult for people who have not experienced lust. The soul flesh intertwined and reckless love flying over the desert was born with a certain fate. It stabbed Jeff, fell heavily on Katherine, and seared Almasy’s heart mercilessly. There will never be a conclusion about who is right and who is wrong here. Every beautiful and weak person is wearing heavy shackles, and K suffers the most, perhaps because she is a woman.

It is also under the interweaving of dreamlike beauty and hell like cruelty that the two story clues are advancing separately (the asynchronous processing of the two stories is really poetic. If it is really made into “going hand in hand” on both sides, it will lose all the meaning). In the past, Almasy was afraid of possession and being possessed and liked to wander freely; But after Katherine died, he didn’t hesitate to commit suicide and pretend to lose his memory in order to prevent others from sharing and disturbing his love memories. He and his own memories occupied each other, and his unforgettable heart could only be trapped in the broken body. Hana insists on staying alone in the abandoned monastery to care for Almasy, largely because she only wants to be “alone”. It is not only difficult to recover from the loss of friends and relatives, but also afraid of entanglement with others and whether she is really cursed. Two people who want to be alone are in a dead bunker, but everything is changing quietly: the taste of plum arouses his degenerate consciousness, and the sound of Hana jumping into the house reminds him of the Arab drums heard in the desert and Katherine who reads the story. He boldly moves forward – let Hana read the same story, Because although Hana needs his guidance to read the names of the people in the story, it is enough to help him start to find the and traces of his lover in a more real sense;

Hana also began to know Almasy, who is not only a nurse, but also a well-read man with quick thinking and humor, not just a poor patient with memory loss. The arrival of Sikh Indian kip, the leader of the bomb disposal and demining team, and his white British subordinates completely ended their “seclusion life”, and they both secretly welcomed it. Kip brought Hana romantic and beautiful love and became a good partner in Almasy’s high-level humorous conversation. Hana confided her admiration for Kip to Almasy. The scene was filled with the smell of family affection. It was easy to think of Leon and martilta chatting at the dinner table in this killer is not too cold. The two films are indeed a bit similar: they are the stories of two souls seeking shock but recovering together.

If the content of a movie is just the memory of the protagonist, that is, a desperate person tells an end story. What is the end of such a story except decay? I’m afraid I’m going to vomit before I finish talking. But the British patient is not a dead film. It is full of life and shows a growing trend. At the end of the film, Hana smiles at the little girl, and then the camera pulls faster and faster until it reaches the peak when the beating sun is scattered on it.

In fact, Hana is a very important source of vitality. Her temperament is a little local, with the tenacious independence of soldiers. At the same time, there is no lack of dexterity in her daughter’s family. She once said that her education level is not high; This is an interesting contrast with Almasy’s extensive reading, ancient and modern learning and mysterious language. Hana peels plums, cultivates a small vegetable garden, tries every means to drive away the troublemakers, takes a bath with the mountain spring water flowing out of the water pipe while hissing, and brings scattered classic stairs… There is no exquisite talent here, but she tells the beautiful and simple wisdom in her nature, which can comfort the anxious, confused and angry heart. In Beijing dialect, Hana may be an out of tune girl. When Kip checks the bomb, she still laughs and tells funny jokes, and is teased by herself; She didn’t wonder what profound history Almasy told her, but just handed his peeled plum pulp to his mouth. After a short pause, Almasy opened his scar covered lips and said: a plum with plum flavor. Almasy is such a patient: most of his skin has been burned, and his internal organs have been seriously damaged. He may really be like a piece of burnt bread as he said. His ability to feel it has been extremely weak and unreliable. The natural fresh taste of plum can be described as a favor at this time, although it is small enough to remind a person to live with the world.

As a result, Almasy found that his memory was not destroyed by sharing with others, but Katherine in his mind became more and more vivid. When he handed over Katherine’s diary to Hana, he invited her to visit his memory without reservation. At this moment, with an open heart, he is finally no longer occupied by anything. At this time, he is really ready to fly to his beloved place. At the end of the film, the paradise described by K in her diary is a free place without concealment and shame. The white practice wrapped around K is blown high by the wind, as if it were a pair of comforting wings, lifting up her anxious and tired soul and comforting us.

And Kip has been dispatched, and the two young people have to say goodbye. Facing the long-term farewell again, Hana did not avoid, nor did she mourn or be numb when she lost her beloved twice before. After walking into Almasy’s past and Kip’s present, after this period of treatment without doctors, she has enough courage and strength to support her to wave and watch his back fade away. In situ, Hana silently enjoyed the heartache and loss brought by love. When Almasy asked her to inject him with an overdose of painkillers in order to die, she couldn’t help crying, but after a short cry, she calmed down in her last bedtime reading for Almasy. Katherine finished reading her diary and saw that he had left silently. Then Hana and I smiled at the same time.

The intention of the British patient is far-reaching. The compassion for life is not as simple as two love stories. The beauty of life is much richer than love. The film tells us that even injured hearts are supporting each other in self-healing and mutual healing in an injured era and place.

This is a movie that makes people smile after watching.

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