Homesex movieUmimachi Diary (2015) Movie Sex & Nudity

Umimachi Diary (2015) Movie Sex & Nudity

At the beginning a woman is in bed with her boyfriend naked. They are cover by sheets. Then she wakes up and leaves.
A teenage girl is naked in a bathtub but nothing is shown only her bare shoulders.
A teenage girl is out of bath naked wearing only a towel. She opens her towel to cool herself. Nothing is shown her back is toward the camera.
The older sister has a relationship with a married guy and goes to his place.


Film review:Translated by XX www.rabudo-ru.com


Cannes had a job the year before last and took the manufacturer’s certificate to line up for “like a father and like a son” twice. They were stopped outside the cinema at the last moment. Later, they saw it a year later. They got up in the middle of the night and drank a pot of sake. This year, I heard that the Cannes competition film “sea street diary” was impressively listed. I made up my mind to climb and come. After the premiere of the film, I stood up and clapped three times with the audience. Shi zhiyuhe led the four oxygen beauty protagonists to stand up and bow their thanks.

In fact, Yuhe Shizhi’s film doesn’t need to be expected too much. It is always dog blood eight o’clock social news as the starting point of the story. It whispers about household chores, “days pass by and life continues day by day”, but two hours pass, At the end of the film, we always hope to make the audience feel Oriental sadness: “life is really not easy, but we should live well” or “life should be lived well, but it is really not easy”. In this “sea street diary”, because the “girl theme” is sweet and greasy, this sadness has an unreal beauty of “Cherry Blossom withering”.

Sea Street diary is adapted from the best-selling cartoon of the same name created by Yoshida Qiusheng. Yoshida Qiusheng and Shizhi Yuhe jointly completed the script adaptation of the film. At the beginning of the story, the three sisters, Xing, Jianai and Qianjia, who lived in Kamakura, suddenly learned that their father who had been lost for 15 years had died in Yamagata county. At the funeral, the three sisters met their half sister “Ling” and decided to abandon the past grievances and take Ling back to Kamakura to live together. In the following time, the cherry blossoms on Binhai Road opened and thanked, the plums in the yard were green and yellow, and the relatives, neighbors and lovers came and went. Only the four sisters lived together indefinitely, leaving the best time of their girlhood.


As far as I am concerned, in addition to the peaceful but firm three views, what I like most is that he weaves the coincidence of the play as carefully and naturally as the dog blood of life. All the stems are buried without any trace and are generous and calm when uncovered. For example, I have always ignored my eldest sister because of her tenacity and kindness. At least in name, she is also a destroyer of the family like her father. Fortunately, I have always comforted little sister Ling’s “no one is wrong”, which may be the reason for her to explain and comfort herself from her heart. Interestingly, along with the sentence “no one is wrong”, accompanied by the appearance of a stubborn mother, Ling Jian or the warm memories in it, the unseen father in the film is gradually whitewashed from the image of abandoning his wife and son, which makes people come to the conclusion that life is really not an easy thing to judge whether it is black or white.

The great form has no shape. We can’t say how perfect the diary of Haijie is, but many details have the intention of Japanese craftsmen. Year after year, zhiyuhe made a node with the production of plum wine. The taste difference of plum wine also seems to set off the character of a sister. The details outside the lines are also quite particular. The biological mother of the three sisters came to visit. At present, she didn’t hold down her anger towards her non biological daughter. The next day, she apologized to the four sisters and filled in the gifts she had forgotten the previous day. Only Youling’s packaging was different from others. It was obvious that she had bought them again.

Playing with the theme of family affection for so long, Shizhi Yuhe can always quietly find some details as a token of introduction. In the canteen where her sisters often go, little sister Ling found that her father often made fresh fish toast for herself in that season, which was the original family craft of the canteen uncle. The mother who doesn’t like cooking only teaches the eldest sister how to cook a Good Seafood Curry Rice. The third sister Qianjia is more familiar with the fish steak seafood rice made by her grandmother, while the second sister Jianai’s favorite is the regular food ordered by her aunt in the seafood canteen. These plots are scattered everywhere in the film, which seems irrelevant. Food is the strongest physiological memory, but it reflects the childhood of the four sisters. Which elder is the closest companion.

When you see here, if you want to cook as an adult, your friends often laugh: you should catch a handful of green pepper for any dish you fry, green pepper for shredded meat, green pepper for eggs, and green pepper for even fried vegetables. Parents’ eating habits turned out to be our emotional connection buried in the taste buds in addition to our blood.

Compared with the discussion of class differences and blood relationship in the swap story of “like a father and like a son”, the sea street diary does look beautiful and cowardly in content and form, and will indeed disappoint the audience who expect his sense of strength. However, the comic aesthetic style may have indicated that the director does not intend to make a more profound discussion on social life this time: the sea street diary shot by Kamakura, Whether it’s a single train passing through the city center or the cherry blossom Avenue turning the corner and meeting the sea, it can be directly used as a city propaganda film, not to mention the pictures of four girls playing with fireworks in kimonos and chasing waves on the black silk beach. The sense of girls is originally the best thing in the world.

After several family ethics films, “Haijie diary” is probably more like a reconciliation and deregulation for Shizhi Yuhe himself. Life probably goes through three stages: “life is beautiful, life is not beautiful, and life is still beautiful even in this way”. The perception of each stage depends on wisdom enlightenment.

In the diary of Haijie, the director arranged for two dead characters to survive the cherry blossom season. All the grievances, reluctance and impossibility were put down after feeling the beauty of the cherry blossom. As a conclusion, the line that Yuhe Zhizhi said twice: if you can still feel the beauty when saying goodbye to the world, it is also a beautiful thing.

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